1 Reyes 7

1 Reyes 7

El panorama

1 Reyes 7 abre con “But Solomon was building his own house thirteen years, and he finished all his house.”, cambia cerca del versículo 26 con “And it was an hand breadth thick, and the brim thereof was wrought like the brim of a…” y termina con “So was ended all the work that king Solomon made for the house of the LORD . And Solomon…”. Estos puntos trazan el movimiento propio del capítulo desde su inicio hasta su conclusión.

Las Escrituras junto al resumen

1 Reyes · Versión King James · 51

1 Reyes 7:1-8

Versículos 1–8: Solomon was building his own house thirteen years, and he finished all…

1 Reyes 7:1–8 abre con “But Solomon was building his own house thirteen years, and he finished all his house.” y llega a “And his house where he dwelt had another court within the porch, which was of the like work…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“But Solomon was building his own house thirteen years, and he finished all his house.” Nombrar a Solomon mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

“And it was covered with cedar above upon the beams, that lay on forty five pillars, fifteen in a row.” El número forty hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And all the doors and posts were square, with the windows: and light was against light in three ranks.” El número three hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

1 Reyes 7:1-8

Versión King James

1But Solomon was building his own house thirteen years, and he finished all his house.

2He built also the house of the forest of Lebanon; the length thereof was an hundred cubits, and the breadth thereof fifty cubits, and the height thereof thirty cubits, upon four rows of cedar pillars, with cedar beams upon the pillars.

3And it was covered with cedar above upon the beams, that lay on forty five pillars, fifteen in a row.

4And there were windows in three rows, and light was against light in three ranks.

5And all the doors and posts were square, with the windows: and light was against light in three ranks.

6And he made a porch of pillars; the length thereof was fifty cubits, and the breadth thereof thirty cubits: and the porch was before them: and the other pillars and the thick beam were before them.

7Then he made a porch for the throne where he might judge, even the porch of judgment: and it was covered with cedar from one side of the floor to the other.

8And his house where he dwelt had another court within the porch, which was of the like work. Solomon made also an house for Pharaoh’s daughter, whom he had taken to wife, like unto this porch.

1 Reyes 7:9-16

Versículos 9–16: All these were of costly stones, according to the measures of hewed…

1 Reyes 7:9–16 abre con “All these were of costly stones, according to the measures of hewed stones, sawed with saws…” y llega a “And he made two chapiters of molten brass, to set upon the tops of the pillars: the height of…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“All these were of costly stones, according to the measures of hewed stones, sawed with saws, within and without, even…” Nombrar a All mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

“And above were costly stones, after the measures of hewed stones, and cedars.” Los términos propios de esta línea incluyen stones, cedars, costly. Su relación con los versículos 10 y 12 permite comprobar su función dentro del pasaje.

“And king Solomon sent and fetched Hiram out of Tyre.” Nombrar a Hiram y Solomon mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

“For he cast two pillars of brass, of eighteen cubits high apiece: and a line of twelve cubits did compass either of…” Esta línea aporta una razón, un resultado o una conclusión. Debe permanecer unida a la afirmación o acción que le da sentido.

1 Reyes 7:9-16

Versión King James

9All these were of costly stones, according to the measures of hewed stones, sawed with saws, within and without, even from the foundation unto the coping, and so on the outside toward the great court.

10And the foundation was of costly stones, even great stones, stones of ten cubits, and stones of eight cubits.

11And above were costly stones, after the measures of hewed stones, and cedars.

12And the great court round about was with three rows of hewed stones, and a row of cedar beams, both for the inner court of the house of the LORD , and for the porch of the house.

13And king Solomon sent and fetched Hiram out of Tyre.

14He was a widow’s son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work.

15For he cast two pillars of brass, of eighteen cubits high apiece: and a line of twelve cubits did compass either of them about.

16And he made two chapiters of molten brass, to set upon the tops of the pillars: the height of the one chapiter was five cubits, and the height of the other chapiter was five cubits:

1 Reyes 7:17-24

Versículos 17–24: Nets of checker work, and wreaths of chain work, for the chapiters which…

1 Reyes 7:17–24 abre con “And nets of checker work, and wreaths of chain work, for the chapiters which were upon the top…” y llega a “And under the brim of it round about there were knops compassing it, ten in a cubit, compassing…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And nets of checker work, and wreaths of chain work, for the chapiters which were upon the top of the pillars; seven…” El número seven hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits.” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof…” Nombrar a Boaz y Jachin mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

“And he made a molten sea, ten cubits from the one brim to the other: it was round all about, and his height was five…” El número ten hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

1 Reyes 7:17-24

Versión King James

17And nets of checker work, and wreaths of chain work, for the chapiters which were upon the top of the pillars; seven for the one chapiter, and seven for the other chapiter.

18And he made the pillars, and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates: and so did he for the other chapiter.

19And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits.

20And the chapiters upon the two pillars had pomegranates also above, over against the belly which was by the network: and the pomegranates were two hundred in rows round about upon the other chapiter.

21And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof Jachin: and he set up the left pillar, and called the name thereof Boaz.

22And upon the top of the pillars was lily work: so was the work of the pillars finished.

23And he made a molten sea, ten cubits from the one brim to the other: it was round all about, and his height was five cubits: and a line of thirty cubits did compass it round about.

24And under the brim of it round about there were knops compassing it, ten in a cubit, compassing the sea round about: the knops were cast in two rows, when it was cast.

1 Reyes 7:25-32

Versículos 25–32: It stood upon twelve oxen, three looking toward the north, and three…

1 Reyes 7:25–32 abre con “It stood upon twelve oxen, three looking toward the north, and three looking toward the west…” y llega a “And under the borders were four wheels; and the axletrees of the wheels were joined to the base…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“It stood upon twelve oxen, three looking toward the north, and three looking toward the west, and three looking toward…” El número twelve hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he made ten bases of brass; four cubits was the length of one base, and four cubits the breadth thereof, and three…” El número ten hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And on the borders that were between the ledges were lions, oxen, and cherubims: and upon the ledges there was a base…” Los términos propios de esta línea incluyen ledges, lions, oxen. Su relación con los versículos 28 y 30 permite comprobar su función dentro del pasaje.

“And the mouth of it within the chapiter and above was a cubit: but the mouth thereof was round after the work of the…” Los términos propios de esta línea incluyen mouth, cubit, round. Su relación con los versículos 30 y 32 permite comprobar su función dentro del pasaje.

1 Reyes 7:25-32

Versión King James

25It stood upon twelve oxen, three looking toward the north, and three looking toward the west, and three looking toward the south, and three looking toward the east: and the sea was set above upon them, and all their hinder parts were inward.

26And it was an hand breadth thick, and the brim thereof was wrought like the brim of a cup, with flowers of lilies: it contained two thousand baths.

27And he made ten bases of brass; four cubits was the length of one base, and four cubits the breadth thereof, and three cubits the height of it.

28And the work of the bases was on this manner: they had borders, and the borders were between the ledges:

29And on the borders that were between the ledges were lions, oxen, and cherubims: and upon the ledges there was a base above: and beneath the lions and oxen were certain additions made of thin work.

30And every base had four brasen wheels, and plates of brass: and the four corners thereof had undersetters: under the laver were undersetters molten, at the side of every addition.

31And the mouth of it within the chapiter and above was a cubit: but the mouth thereof was round after the work of the base, a cubit and an half: and also upon the mouth of it were gravings with their borders, foursquare, not round.

32And under the borders were four wheels; and the axletrees of the wheels were joined to the base: and the height of a wheel was a cubit and half a cubit.

1 Reyes 7:33-40

Versículos 33–40: The work of the wheels was like the work of a chariot wheel: their…

1 Reyes 7:33–40 abre con “And the work of the wheels was like the work of a chariot wheel: their axletrees, and their…” y llega a “And Hiram made the lavers, and the shovels, and the basons. So Hiram made an end of doing all…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And the work of the wheels was like the work of a chariot wheel: their axletrees, and their naves, and their felloes…” Los términos propios de esta línea incluyen work, axletrees, chariot. Su relación con los versículos 34 permite comprobar su función dentro del pasaje.

“And in the top of the base was there a round compass of half a cubit high: and on the top of the base the ledges…” Los términos propios de esta línea incluyen base, borders, compass. Su relación con los versículos 34 y 36 permite comprobar su función dentro del pasaje.

“After this manner he made the ten bases: all of them had one casting, one measure, and one size.” El número ten hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

1 Reyes 7:33-40

Versión King James

33And the work of the wheels was like the work of a chariot wheel: their axletrees, and their naves, and their felloes, and their spokes, were all molten.

34And there were four undersetters to the four corners of one base: and the undersetters were of the very base itself.

35And in the top of the base was there a round compass of half a cubit high: and on the top of the base the ledges thereof and the borders thereof were of the same.

36For on the plates of the ledges thereof, and on the borders thereof, he graved cherubims, lions, and palm trees, according to the proportion of every one, and additions round about.

37After this manner he made the ten bases: all of them had one casting, one measure, and one size.

38Then made he ten lavers of brass: one laver contained forty baths: and every laver was four cubits: and upon every one of the ten bases one laver.

39And he put five bases on the right side of the house, and five on the left side of the house: and he set the sea on the right side of the house eastward over against the south.

40And Hiram made the lavers, and the shovels, and the basons. So Hiram made an end of doing all the work that he made king Solomon for the house of the LORD :

1 Reyes 7:41-48

Versículos 41–48: The two pillars, and the two bowls of the chapiters that were on the top…

1 Reyes 7:41–48 abre con “The two pillars, and the two bowls of the chapiters that were on the top of the two pillars; and…” y llega a “And Solomon made all the vessels that pertained unto the house of the LORD : the altar of gold…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“The two pillars, and the two bowls of the chapiters that were on the top of the two pillars; and the two networks, to…” El número two hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And the ten bases, and ten lavers on the bases;” El número ten hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And the pots, and the shovels, and the basons: and all these vessels, which Hiram made to king Solomon for the house…” Nombrar a Hiram y Solomon mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

1 Reyes 7:41-48

Versión King James

41The two pillars, and the two bowls of the chapiters that were on the top of the two pillars; and the two networks, to cover the two bowls of the chapiters which were upon the top of the pillars;

42And four hundred pomegranates for the two networks, even two rows of pomegranates for one network, to cover the two bowls of the chapiters that were upon the pillars;

43And the ten bases, and ten lavers on the bases;

44And one sea, and twelve oxen under the sea;

45And the pots, and the shovels, and the basons: and all these vessels, which Hiram made to king Solomon for the house of the LORD , were of bright brass.

46In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zarthan.

47And Solomon left all the vessels unweighed, because they were exceeding many: neither was the weight of the brass found out.

48And Solomon made all the vessels that pertained unto the house of the LORD : the altar of gold, and the table of gold, whereupon the shewbread was,

1 Reyes 7:49-51

Versículos 49–51: The candlesticks of pure gold, five on the right side, and five on the…

1 Reyes 7:49–51 abre con “And the candlesticks of pure gold, five on the right side, and five on the left, before the…” y llega a “So was ended all the work that king Solomon made for the house of the LORD . And Solomon brought…” en su último versículo. Ese recorrido desarrolla 1 Reyes 7 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And the candlesticks of pure gold, five on the right side, and five on the left, before the oracle, with the flowers…” El número five hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

1 Reyes 7:49-51

Versión King James

49And the candlesticks of pure gold, five on the right side, and five on the left, before the oracle, with the flowers, and the lamps, and the tongs of gold,

50And the bowls, and the snuffers, and the basons, and the spoons, and the censers of pure gold; and the hinges of gold, both for the doors of the inner house, the most holy place, and for the doors of the house, to wit, of the temple.

51So was ended all the work that king Solomon made for the house of the LORD . And Solomon brought in the things which David his father had dedicated; even the silver, and the gold, and the vessels, did he put among the treasures of the house of the LORD .

Detalles que vale la pena notar

51versículos en esta lectura
7movimientos principales
1versículos con diálogo

La imagen inicial

1 Kings 7:1 comienza con “But Solomon was building his own house thirteen years, and he finished all his house.”

Dónde cambia el capítulo

1 Kings 7:37 forma un giro natural: “After this manner he made the ten bases: all of them had one casting, one measure, and one size.”

La nota final

1 Kings 7:51 deja al lector con “So was ended all the work that king Solomon made for the house of the LORD . And Solomon brought in the things which David his father had dedicated; even…”

Un recorrido de palabras por el capítulo

Las palabras cubits, pillars, house, work, round, Solomon ayudan a revelar las preocupaciones que se repiten en el capítulo.

Primero el texto

Donde difieren los lectores

El resumen comienza con lo que dice el pasaje y cómo se relacionan sus partes. No supone que una denominación ya haya resuelto cada pregunta. Toda dependencia de una tradición, teoría literaria o reconstrucción histórica se identifica con claridad.

El texto KJV aparece primero. Las conclusiones interpretativas se identifican, y las diferencias se presentan cuando ayudan a explicar por qué las comunidades serias no siempre llegan a la misma respuesta.

Las notas interpretativas comparativas de este capítulo están en preparación. Hasta que las notas revisadas estén listas, esta página separa el texto KJV del resumen y la aplicación sin afirmar que todos los lectores serios coinciden en cada cuestión.