O panorama
Jó 30 abre com “But now they that are younger than I have me in derision, whose fathers I would have…”, muda perto do versículo 16 com “And now my soul is poured out upon me; the days of affliction have taken hold upon me.” e termina com “My harp also is turned to mourning, and my organ into the voice of them that weep.”. Esses pontos traçam o movimento próprio do capítulo, da abertura à conclusão.
A Escritura ao lado do resumo
Jó · Versão King James · 31Jó 30:1-8
Versículos 1–8: Now they that are younger than I have me in derision, whose fathers I…
Jó 30:1–8 abre com “But now they that are younger than I have me in derision, whose fathers I would have disdained…” e chega a “They were children of fools, yea, children of base men: they were viler than the earth.” no último versículo. Esse percurso desenvolve Jó 30 se desenvolve por meio de suas próprias vozes, ações, afirmações e consequências.
Contexto que dá vida à passagem
Este bloco contém 1 perguntas. Elas não são simples pontuação: mostram onde uma voz procura, desafia, teme ou tenta compreender.
“But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the…” Os termos próprios desta linha incluem derision, disdained, dogs. A relação com os versículos 2 permite verificar sua função na passagem.
Jó 30:1-8
Versão King James1But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock.
2Yea, whereto might the strength of their hands profit me, in whom old age was perished?
3For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste.
4Who cut up mallows by the bushes, and juniper roots for their meat.
5They were driven forth from among men, (they cried after them as after a thief;)
6To dwell in the clifts of the valleys, in caves of the earth, and in the rocks.
7Among the bushes they brayed; under the nettles they were gathered together.
8They were children of fools, yea, children of base men: they were viler than the earth.
Jó 30:9-16
Versículos 9–16: Now am I their song, yea, I am their byword.
Jó 30:9–16 abre com “And now am I their song, yea, I am their byword.” e chega a “And now my soul is poured out upon me; the days of affliction have taken hold upon me.” no último versículo. Esse percurso desenvolve Jó 30 se desenvolve por meio de suas próprias vozes, ações, afirmações e consequências.
Contexto que dá vida à passagem
“And now am I their song, yea, I am their byword.” Os termos próprios desta linha incluem byword, song. A relação com os versículos 10 permite verificar sua função na passagem.
“Because he hath loosed my cord, and afflicted me, they have also let loose the bridle before me.” Esta linha fornece uma razão, resultado ou conclusão. Ela deve permanecer ligada à afirmação ou ação que lhe dá sentido.
Jó 30:9-16
Versão King James9And now am I their song, yea, I am their byword.
10They abhor me, they flee far from me, and spare not to spit in my face.
11Because he hath loosed my cord, and afflicted me, they have also let loose the bridle before me.
12Upon my right hand rise the youth; they push away my feet, and they raise up against me the ways of their destruction.
13They mar my path, they set forward my calamity, they have no helper.
14They came upon me as a wide breaking in of waters: in the desolation they rolled themselves upon me.
15Terrors are turned upon me: they pursue my soul as the wind: and my welfare passeth away as a cloud.
16And now my soul is poured out upon me; the days of affliction have taken hold upon me.
Jó 30:17-24
Versículos 17–24: My bones are pierced in me in the night season: and my sinews take no…
Jó 30:17–24 abre com “My bones are pierced in me in the night season: and my sinews take no rest.” e chega a “Howbeit he will not stretch out his hand to the grave, though they cry in his destruction.” no último versículo. Esse percurso desenvolve Jó 30 se desenvolve por meio de suas próprias vozes, ações, afirmações e consequências.
Contexto que dá vida à passagem
“My bones are pierced in me in the night season: and my sinews take no rest.” Os termos próprios desta linha incluem bones, night, pierced. A relação com os versículos 18 permite verificar sua função na passagem.
“He hath cast me into the mire, and I am become like dust and ashes.” Os termos próprios desta linha incluem ashes, become, dust. A relação com os versículos 18 e 20 permite verificar sua função na passagem.
Jó 30:17-24
Versão King James17My bones are pierced in me in the night season: and my sinews take no rest.
18By the great force of my disease is my garment changed: it bindeth me about as the collar of my coat.
19He hath cast me into the mire, and I am become like dust and ashes.
20I cry unto thee, and thou dost not hear me: I stand up, and thou regardest me not.
21Thou art become cruel to me: with thy strong hand thou opposest thyself against me.
22Thou liftest me up to the wind; thou causest me to ride upon it, and dissolvest my substance.
23For I know that thou wilt bring me to death, and to the house appointed for all living.
24Howbeit he will not stretch out his hand to the grave, though they cry in his destruction.
Jó 30:25-31
Versículos 25–31: Did not I weep for him that was in trouble? was not my soul grieved for…
Jó 30:25–31 abre com “Did not I weep for him that was in trouble? was not my soul grieved for the poor?” e chega a “My harp also is turned to mourning, and my organ into the voice of them that weep.” no último versículo. Esse percurso desenvolve Jó 30 se desenvolve por meio de suas próprias vozes, ações, afirmações e consequências.
Contexto que dá vida à passagem
Este bloco contém 1 perguntas. Elas não são simples pontuação: mostram onde uma voz procura, desafia, teme ou tenta compreender.
“Did not I weep for him that was in trouble? was not my soul grieved for the poor?” A pergunta desacelera a passagem. Observe quem precisa responder, o que ela pressupõe e se as linhas seguintes apresentam uma resposta.
Jó 30:25-31
Versão King James25Did not I weep for him that was in trouble? was not my soul grieved for the poor?
26When I looked for good, then evil came unto me: and when I waited for light, there came darkness.
27My bowels boiled, and rested not: the days of affliction prevented me.
28I went mourning without the sun: I stood up, and I cried in the congregation.
29I am a brother to dragons, and a companion to owls.
30My skin is black upon me, and my bones are burned with heat.
31My harp also is turned to mourning, and my organ into the voice of them that weep.
Detalhes que merecem atenção
A imagem de abertura
Job 30:1 começa com “But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock.”
Onde o capítulo muda
Job 30:25 forma uma mudança natural: “Did not I weep for him that was in trouble? was not my soul grieved for the poor?”
A nota final
Job 30:31 deixa o leitor com “My harp also is turned to mourning, and my organ into the voice of them that weep.”
Um caminho de palavras pelo capítulo
As palavras hand, soul, affliction, become, bones, bushes ajudam a revelar as preocupações repetidas do capítulo.
Primeiro o texto
Onde os leitores divergem
O resumo começa com o que a passagem diz e como suas partes se relacionam. Ele não presume que uma denominação já resolveu todas as questões. A dependência de uma tradição, teoria literária ou reconstrução histórica é claramente identificada.
O texto KJV aparece primeiro. As conclusões interpretativas são identificadas, e as diferenças surgem quando ajudam a explicar por que comunidades sérias nem sempre chegam à mesma resposta.
As notas interpretativas comparativas deste capítulo estão em preparação. Até que as notas revisadas estejam prontas, esta página separa o texto KJV do resumo e da aplicação sem afirmar que leitores responsáveis concordam em todas as questões.