Éxodo 37

Éxodo 37

El panorama

Éxodo 37 abre con “And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it…”, cambia cerca del versículo 15 con “And he made the staves of shittim wood, and overlaid them with gold, to bear the table.” y termina con “And he made the holy anointing oil, and the pure incense of sweet spices, according to…”. Estos puntos trazan el movimiento propio del capítulo desde su inicio hasta su conclusión.

Las Escrituras junto al resumen

Éxodo · Versión King James · 29

Éxodo 37:1-8

Versículos 1–8: Bezaleel made the ark of shittim wood: two cubits and a half was the…

Éxodo 37:1–8 abre con “And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a…” y llega a “One cherub on the end on this side, and another cherub on the other end on that side: out of the…” en su último versículo. Ese recorrido desarrolla Éxodo 37 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a cubit and a half the…” El número two hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he cast for it four rings of gold, to be set by the four corners of it; even two rings upon the one side of it…” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he put the staves into the rings by the sides of the ark, to bear the ark.” Los términos propios de esta línea incluyen bear, rings, sides. Su relación con los versículos 4 y 6 permite comprobar su función dentro del pasaje.

Éxodo 37:1-8

Versión King James

1And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a cubit and a half the breadth of it, and a cubit and a half the height of it:

2And he overlaid it with pure gold within and without, and made a crown of gold to it round about.

3And he cast for it four rings of gold, to be set by the four corners of it; even two rings upon the one side of it, and two rings upon the other side of it.

4And he made staves of shittim wood, and overlaid them with gold.

5And he put the staves into the rings by the sides of the ark, to bear the ark.

6And he made the mercy seat of pure gold: two cubits and a half was the length thereof, and one cubit and a half the breadth thereof.

7And he made two cherubims of gold, beaten out of one piece made he them, on the two ends of the mercy seat;

8One cherub on the end on this side, and another cherub on the other end on that side: out of the mercy seat made he the cherubims on the two ends thereof.

Éxodo 37:9-16

Versículos 9–16: The cherubims spread out their wings on high, and covered with their…

Éxodo 37:9–16 abre con “And the cherubims spread out their wings on high, and covered with their wings over the mercy…” y llega a “And he made the vessels which were upon the table, his dishes, and his spoons, and his bowls…” en su último versículo. Ese recorrido desarrolla Éxodo 37 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And the cherubims spread out their wings on high, and covered with their wings over the mercy seat, with their faces…” El número one hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he overlaid it with pure gold, and made thereunto a crown of gold round about.” Los términos propios de esta línea incluyen gold, crown, overlaid. Su relación con los versículos 10 y 12 permite comprobar su función dentro del pasaje.

“And he cast for it four rings of gold, and put the rings upon the four corners that were in the four feet thereof.” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

Éxodo 37:9-16

Versión King James

9And the cherubims spread out their wings on high, and covered with their wings over the mercy seat, with their faces one to another; even to the mercy seatward were the faces of the cherubims.

10And he made the table of shittim wood: two cubits was the length thereof, and a cubit the breadth thereof, and a cubit and a half the height thereof:

11And he overlaid it with pure gold, and made thereunto a crown of gold round about.

12Also he made thereunto a border of an handbreadth round about; and made a crown of gold for the border thereof round about.

13And he cast for it four rings of gold, and put the rings upon the four corners that were in the four feet thereof.

14Over against the border were the rings, the places for the staves to bear the table.

15And he made the staves of shittim wood, and overlaid them with gold, to bear the table.

16And he made the vessels which were upon the table, his dishes, and his spoons, and his bowls, and his covers to cover withal, of pure gold.

Éxodo 37:17-24

Versículos 17–24: He made the candlestick of pure gold: of beaten work made he the…

Éxodo 37:17–24 abre con “And he made the candlestick of pure gold: of beaten work made he the candlestick; his shaft, and…” y llega a “Of a talent of pure gold made he it, and all the vessels thereof.” en su último versículo. Ese recorrido desarrolla Éxodo 37 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And he made the candlestick of pure gold: of beaten work made he the candlestick; his shaft, and his branch, his…” Los términos propios de esta línea incluyen candlestick, beaten, bowls. Su relación con los versículos 18 permite comprobar su función dentro del pasaje.

“Three bowls made after the fashion of almonds in one branch, a knop and a flower; and three bowls made like almonds in…” El número three hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of…” El número two hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

Éxodo 37:17-24

Versión King James

17And he made the candlestick of pure gold: of beaten work made he the candlestick; his shaft, and his branch, his bowls, his knops, and his flowers, were of the same:

18And six branches going out of the sides thereof; three branches of the candlestick out of the one side thereof, and three branches of the candlestick out of the other side thereof:

19Three bowls made after the fashion of almonds in one branch, a knop and a flower; and three bowls made like almonds in another branch, a knop and a flower: so throughout the six branches going out of the candlestick.

20And in the candlestick were four bowls made like almonds, his knops, and his flowers:

21And a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of the same, according to the six branches going out of it.

22Their knops and their branches were of the same: all of it was one beaten work of pure gold.

23And he made his seven lamps, and his snuffers, and his snuffdishes, of pure gold.

24Of a talent of pure gold made he it, and all the vessels thereof.

Éxodo 37:25-29

Versículos 25–29: He made the incense altar of shittim wood: the length of it was a cubit…

Éxodo 37:25–29 abre con “And he made the incense altar of shittim wood: the length of it was a cubit, and the breadth of…” y llega a “And he made the holy anointing oil, and the pure incense of sweet spices, according to the work…” en su último versículo. Ese recorrido desarrolla Éxodo 37 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And he made the incense altar of shittim wood: the length of it was a cubit, and the breadth of it a cubit; it was…” El número two hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he overlaid it with pure gold, both the top of it, and the sides thereof round about, and the horns of it: also he…” Los términos propios de esta línea incluyen gold, round, both. Su relación con los versículos 25 y 27 permite comprobar su función dentro del pasaje.

Éxodo 37:25-29

Versión King James

25And he made the incense altar of shittim wood: the length of it was a cubit, and the breadth of it a cubit; it was foursquare; and two cubits was the height of it; the horns thereof were of the same.

26And he overlaid it with pure gold, both the top of it, and the sides thereof round about, and the horns of it: also he made unto it a crown of gold round about.

27And he made two rings of gold for it under the crown thereof, by the two corners of it, upon the two sides thereof, to be places for the staves to bear it withal.

28And he made the staves of shittim wood, and overlaid them with gold.

29And he made the holy anointing oil, and the pure incense of sweet spices, according to the work of the apothecary.

Detalles que vale la pena notar

29versículos en esta lectura
4movimientos principales

La imagen inicial

Exodus 37:1 comienza con “And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a cubit and a half the breadth of it, and a cubit and a half the…”

Dónde cambia el capítulo

Exodus 37:15 forma un giro natural: “And he made the staves of shittim wood, and overlaid them with gold, to bear the table.”

La nota final

Exodus 37:29 deja al lector con “And he made the holy anointing oil, and the pure incense of sweet spices, according to the work of the apothecary.”

Un recorrido de palabras por el capítulo

Las palabras gold, pure, branches, rings, cubit, candlestick ayudan a revelar las preocupaciones que se repiten en el capítulo.

Primero el texto

Donde difieren los lectores

El resumen comienza con lo que dice el pasaje y cómo se relacionan sus partes. No supone que una denominación ya haya resuelto cada pregunta. Toda dependencia de una tradición, teoría literaria o reconstrucción histórica se identifica con claridad.

El texto KJV aparece primero. Las conclusiones interpretativas se identifican, y las diferencias se presentan cuando ayudan a explicar por qué las comunidades serias no siempre llegan a la misma respuesta.

Las notas interpretativas comparativas de este capítulo están en preparación. Hasta que las notas revisadas estén listas, esta página separa el texto KJV del resumen y la aplicación sin afirmar que todos los lectores serios coinciden en cada cuestión.