Éxodo 38

Éxodo 38

El panorama

Éxodo 38 abre con “And he made the altar of burnt offering of shittim wood: five cubits was the length…”, cambia cerca del versículo 16 con “All the hangings of the court round about were of fine twined linen.” y termina con “And the sockets of the court round about, and the sockets of the court gate, and all the…”. Estos puntos trazan el movimiento propio del capítulo desde su inicio hasta su conclusión.

Las Escrituras junto al resumen

Éxodo · Versión King James · 31

Éxodo 38:1-8

Versículos 1–8: He made the altar of burnt offering of shittim wood: five cubits was the…

Éxodo 38:1–8 abre con “And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and…” y llega a “And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women…” en su último versículo. Ese recorrido desarrolla Éxodo 38 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the…” El número five hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the…” Los términos propios de esta línea incluyen vessels, altar, basons. Su relación con los versículos 2 y 4 permite comprobar su función dentro del pasaje.

“And he cast four rings for the four ends of the grate of brass, to be places for the staves.” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

Éxodo 38:1-8

Versión King James

1And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof.

2And he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass.

3And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass.

4And he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it.

5And he cast four rings for the four ends of the grate of brass, to be places for the staves.

6And he made the staves of shittim wood, and overlaid them with brass.

7And he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards.

8And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation.

Éxodo 38:9-16

Versículos 9–16: He made the court: on the south side southward the hangings of the court…

Éxodo 38:9–16 abre con “And he made the court: on the south side southward the hangings of the court were of fine twined…” y llega a “All the hangings of the court round about were of fine twined linen.” en su último versículo. Ese recorrido desarrolla Éxodo 38 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred…” El número hundred hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass…” El número hundred hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

Éxodo 38:9-16

Versión King James

9And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits:

10Their pillars were twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets were of silver.

11And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver.

12And for the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets of silver.

13And for the east side eastward fifty cubits.

14The hangings of the one side of the gate were fifteen cubits; their pillars three, and their sockets three.

15And for the other side of the court gate, on this hand and that hand, were hangings of fifteen cubits; their pillars three, and their sockets three.

16All the hangings of the court round about were of fine twined linen.

Éxodo 38:17-24

Versículos 17–24: The sockets for the pillars were of brass; the hooks of the pillars and…

Éxodo 38:17–24 abre con “And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of…” y llega a “All the gold that was occupied for the work in all the work of the holy place, even the gold of…” en su último versículo. Ese recorrido desarrolla Éxodo 38 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the…” Los términos propios de esta línea incluyen pillars, silver, brass. Su relación con los versículos 18 permite comprobar su función dentro del pasaje.

“And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their…” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the…” Nombrar a Aaron y Ithamar mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

“And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an…” Nombrar a Ahisamach y Aholiab mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

Éxodo 38:17-24

Versión King James

17And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver.

18And the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court.

19And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver.

20And all the pins of the tabernacle, and of the court round about, were of brass.

21This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest.

22And Bezaleel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses.

23And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen.

24All the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary.

Éxodo 38:25-31

Versículos 25–31: The silver of them that were numbered of the congregation was an hundred…

Éxodo 38:25–31 abre con “And the silver of them that were numbered of the congregation was an hundred talents, and a…” y llega a “And the sockets of the court round about, and the sockets of the court gate, and all the pins of…” en su último versículo. Ese recorrido desarrolla Éxodo 38 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Contexto que da vida al pasaje

“And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and…” El número hundred hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be…” El número one hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

“And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred…” El número hundred hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.

Éxodo 38:25-31

Versión King James

25And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary:

26A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men.

27And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket.

28And of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them.

29And the brass of the offering was seventy talents, and two thousand and four hundred shekels.

30And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar,

31And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.

Detalles que vale la pena notar

31versículos en esta lectura
4movimientos principales

La imagen inicial

Exodus 38:1 comienza con “And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and…”

Dónde cambia el capítulo

Exodus 38:16 forma un giro natural: “All the hangings of the court round about were of fine twined linen.”

La nota final

Exodus 38:31 deja al lector con “And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.”

Un recorrido de palabras por el capítulo

Las palabras pillars, sockets, brass, court, cubits, silver ayudan a revelar las preocupaciones que se repiten en el capítulo.

Primero el texto

Donde difieren los lectores

El resumen comienza con lo que dice el pasaje y cómo se relacionan sus partes. No supone que una denominación ya haya resuelto cada pregunta. Toda dependencia de una tradición, teoría literaria o reconstrucción histórica se identifica con claridad.

El texto KJV aparece primero. Las conclusiones interpretativas se identifican, y las diferencias se presentan cuando ayudan a explicar por qué las comunidades serias no siempre llegan a la misma respuesta.

Las notas interpretativas comparativas de este capítulo están en preparación. Hasta que las notas revisadas estén listas, esta página separa el texto KJV del resumen y la aplicación sin afirmar que todos los lectores serios coinciden en cada cuestión.