El panorama
Job 30 abre con “But now they that are younger than I have me in derision, whose fathers I would have…”, cambia cerca del versículo 16 con “And now my soul is poured out upon me; the days of affliction have taken hold upon me.” y termina con “My harp also is turned to mourning, and my organ into the voice of them that weep.”. Estos puntos trazan el movimiento propio del capítulo desde su inicio hasta su conclusión.
Las Escrituras junto al resumen
Job · Versión King James · 31Job 30:1-8
Versículos 1–8: Now they that are younger than I have me in derision, whose fathers I…
Job 30:1–8 abre con “But now they that are younger than I have me in derision, whose fathers I would have disdained…” y llega a “They were children of fools, yea, children of base men: they were viler than the earth.” en su último versículo. Ese recorrido desarrolla Job 30 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.
Contexto que da vida al pasaje
Este bloque contiene 1 preguntas. No son simple puntuación: muestran dónde una voz busca, desafía, teme o intenta comprender.
“But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the…” Los términos propios de esta línea incluyen derision, disdained, dogs. Su relación con los versículos 2 permite comprobar su función dentro del pasaje.
Job 30:1-8
Versión King James1But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock.
2Yea, whereto might the strength of their hands profit me, in whom old age was perished?
3For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste.
4Who cut up mallows by the bushes, and juniper roots for their meat.
5They were driven forth from among men, (they cried after them as after a thief;)
6To dwell in the clifts of the valleys, in caves of the earth, and in the rocks.
7Among the bushes they brayed; under the nettles they were gathered together.
8They were children of fools, yea, children of base men: they were viler than the earth.
Job 30:9-16
Versículos 9–16: Now am I their song, yea, I am their byword.
Job 30:9–16 abre con “And now am I their song, yea, I am their byword.” y llega a “And now my soul is poured out upon me; the days of affliction have taken hold upon me.” en su último versículo. Ese recorrido desarrolla Job 30 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.
Contexto que da vida al pasaje
“And now am I their song, yea, I am their byword.” Los términos propios de esta línea incluyen byword, song. Su relación con los versículos 10 permite comprobar su función dentro del pasaje.
“Because he hath loosed my cord, and afflicted me, they have also let loose the bridle before me.” Esta línea aporta una razón, un resultado o una conclusión. Debe permanecer unida a la afirmación o acción que le da sentido.
Job 30:9-16
Versión King James9And now am I their song, yea, I am their byword.
10They abhor me, they flee far from me, and spare not to spit in my face.
11Because he hath loosed my cord, and afflicted me, they have also let loose the bridle before me.
12Upon my right hand rise the youth; they push away my feet, and they raise up against me the ways of their destruction.
13They mar my path, they set forward my calamity, they have no helper.
14They came upon me as a wide breaking in of waters: in the desolation they rolled themselves upon me.
15Terrors are turned upon me: they pursue my soul as the wind: and my welfare passeth away as a cloud.
16And now my soul is poured out upon me; the days of affliction have taken hold upon me.
Job 30:17-24
Versículos 17–24: My bones are pierced in me in the night season: and my sinews take no…
Job 30:17–24 abre con “My bones are pierced in me in the night season: and my sinews take no rest.” y llega a “Howbeit he will not stretch out his hand to the grave, though they cry in his destruction.” en su último versículo. Ese recorrido desarrolla Job 30 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.
Contexto que da vida al pasaje
“My bones are pierced in me in the night season: and my sinews take no rest.” Los términos propios de esta línea incluyen bones, night, pierced. Su relación con los versículos 18 permite comprobar su función dentro del pasaje.
“He hath cast me into the mire, and I am become like dust and ashes.” Los términos propios de esta línea incluyen ashes, become, dust. Su relación con los versículos 18 y 20 permite comprobar su función dentro del pasaje.
Job 30:17-24
Versión King James17My bones are pierced in me in the night season: and my sinews take no rest.
18By the great force of my disease is my garment changed: it bindeth me about as the collar of my coat.
19He hath cast me into the mire, and I am become like dust and ashes.
20I cry unto thee, and thou dost not hear me: I stand up, and thou regardest me not.
21Thou art become cruel to me: with thy strong hand thou opposest thyself against me.
22Thou liftest me up to the wind; thou causest me to ride upon it, and dissolvest my substance.
23For I know that thou wilt bring me to death, and to the house appointed for all living.
24Howbeit he will not stretch out his hand to the grave, though they cry in his destruction.
Job 30:25-31
Versículos 25–31: Did not I weep for him that was in trouble? was not my soul grieved for…
Job 30:25–31 abre con “Did not I weep for him that was in trouble? was not my soul grieved for the poor?” y llega a “My harp also is turned to mourning, and my organ into the voice of them that weep.” en su último versículo. Ese recorrido desarrolla Job 30 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.
Contexto que da vida al pasaje
Este bloque contiene 1 preguntas. No son simple puntuación: muestran dónde una voz busca, desafía, teme o intenta comprender.
“Did not I weep for him that was in trouble? was not my soul grieved for the poor?” La pregunta hace que el pasaje avance con más calma. Observa quién debe responder, qué presupone y si las líneas siguientes ofrecen una respuesta.
Job 30:25-31
Versión King James25Did not I weep for him that was in trouble? was not my soul grieved for the poor?
26When I looked for good, then evil came unto me: and when I waited for light, there came darkness.
27My bowels boiled, and rested not: the days of affliction prevented me.
28I went mourning without the sun: I stood up, and I cried in the congregation.
29I am a brother to dragons, and a companion to owls.
30My skin is black upon me, and my bones are burned with heat.
31My harp also is turned to mourning, and my organ into the voice of them that weep.
Detalles que vale la pena notar
La imagen inicial
Job 30:1 comienza con “But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock.”
Dónde cambia el capítulo
Job 30:25 forma un giro natural: “Did not I weep for him that was in trouble? was not my soul grieved for the poor?”
La nota final
Job 30:31 deja al lector con “My harp also is turned to mourning, and my organ into the voice of them that weep.”
Un recorrido de palabras por el capítulo
Las palabras hand, soul, affliction, become, bones, bushes ayudan a revelar las preocupaciones que se repiten en el capítulo.
Primero el texto
Donde difieren los lectores
El resumen comienza con lo que dice el pasaje y cómo se relacionan sus partes. No supone que una denominación ya haya resuelto cada pregunta. Toda dependencia de una tradición, teoría literaria o reconstrucción histórica se identifica con claridad.
El texto KJV aparece primero. Las conclusiones interpretativas se identifican, y las diferencias se presentan cuando ayudan a explicar por qué las comunidades serias no siempre llegan a la misma respuesta.
Las notas interpretativas comparativas de este capítulo están en preparación. Hasta que las notas revisadas estén listas, esta página separa el texto KJV del resumen y la aplicación sin afirmar que todos los lectores serios coinciden en cada cuestión.