The big picture
Exodus 38 opens in verse 1 with “And he made the altar of burnt offering of shittim wood: five cubits was the length…”, reaches its middle movement near verse 16 with “All the hangings of the court round about were of fine twined linen.”, and closes in verse 31 with “And the sockets of the court round about, and the sockets of the court gate, and all the…” Repeated or prominent terms include pillars, sockets, brass, court, cubits. Together, those details trace this chapter’s own movement from its opening to its conclusion.
Scripture beside the summary
Exodus · King James Version · 31Exodus 38:1-8
1–8: He made the altar of burnt offering of shittim wood: five cubits was the…
Exodus 38:1–8 opens with “And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and…” and reaches “And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women…” by its final verse. That movement develops the focus on Exodus 38 develops its own movement around pillars, sockets, brass, court, cubits, with particular weight carried by brass, altar, cubits.
Context that brings the passage to life
“And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the…” The number five makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
“And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the…” The line’s distinctive content terms include vessels, altar, basons. Its relationship to verses 2 and 4 shows what work it does in this passage.
Exodus 38:1-8
King James Version1And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof.
2And he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass.
3And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass.
4And he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it.
5And he cast four rings for the four ends of the grate of brass, to be places for the staves.
6And he made the staves of shittim wood, and overlaid them with brass.
7And he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards.
8And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation.
Exodus 38:9-16
9–16: He made the court: on the south side southward the hangings of the court…
Exodus 38:9–16 opens with “And he made the court: on the south side southward the hangings of the court were of fine twined…” and reaches “All the hangings of the court round about were of fine twined linen.” by its final verse. That movement develops the focus on Exodus 38 develops its own movement around pillars, sockets, brass, court, cubits, with particular weight carried by pillars, cubits, hangings.
Context that brings the passage to life
“And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred…” The number hundred makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
“And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass…” The number hundred makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
Exodus 38:9-16
King James Version9And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits:
10Their pillars were twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets were of silver.
11And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver.
12And for the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets of silver.
13And for the east side eastward fifty cubits.
14The hangings of the one side of the gate were fifteen cubits; their pillars three, and their sockets three.
15And for the other side of the court gate, on this hand and that hand, were hangings of fifteen cubits; their pillars three, and their sockets three.
16All the hangings of the court round about were of fine twined linen.
Exodus 38:17-24
17–24: The sockets for the pillars were of brass; the hooks of the pillars and…
Exodus 38:17–24 opens with “And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of…” and reaches “All the gold that was occupied for the work in all the work of the holy place, even the gold of…” by its final verse. That movement develops the focus on Exodus 38 develops its own movement around pillars, sockets, brass, court, cubits, with particular weight carried by silver, court, pillars.
Context that brings the passage to life
“And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the…” The line’s distinctive content terms include pillars, silver, brass. Its relationship to verses 18 shows what work it does in this passage.
“And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their…” The number four makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
“This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the…” Naming Aaron and Ithamar keeps the account rooted in particular people or places. Follow where the name returns and what changes around it.
“And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an…” Naming Ahisamach and Aholiab keeps the account rooted in particular people or places. Follow where the name returns and what changes around it.
Exodus 38:17-24
King James Version17And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver.
18And the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court.
19And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver.
20And all the pins of the tabernacle, and of the court round about, were of brass.
21This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest.
22And Bezaleel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses.
23And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen.
24All the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary.
Exodus 38:25-31
25–31: The silver of them that were numbered of the congregation was an hundred…
Exodus 38:25–31 opens with “And the silver of them that were numbered of the congregation was an hundred talents, and a…” and reaches “And the sockets of the court round about, and the sockets of the court gate, and all the pins of…” by its final verse. That movement develops the focus on Exodus 38 develops its own movement around pillars, sockets, brass, court, cubits, with particular weight carried by sockets, talents, court.
Context that brings the passage to life
“And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and…” The number hundred makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
“A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be…” The number one makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
“And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred…” The number hundred makes the report concrete. Ask whether it measures time, people, distance, repetition, or completeness before deciding what weight it carries.
Exodus 38:25-31
King James Version25And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary:
26A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men.
27And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket.
28And of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them.
29And the brass of the offering was seventy talents, and two thousand and four hundred shekels.
30And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar,
31And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.
Details worth noticing
The opening image
Exodus 38:1 begins with “And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and…”
Where the chapter turns
Exodus 38:16 forms a natural hinge: “All the hangings of the court round about were of fine twined linen.”
The final note
Exodus 38:31 leaves the reader with “And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.”
A word trail through the chapter
The words pillars, sockets, brass, court, cubits, silver help reveal the chapter’s repeated concerns.
What changes Judah's public judgment?
Recognizing his own pledges forces him to acknowledge his broken obligation.
Why is this chapter important to the larger story?
It introduces Perez's line and begins a deeper view of Judah, who later offers himself for Benjamin.
KJV words made clear
- unto
- to
Text first
Where readers differ
The chapter summary begins with what the passage says and how its parts fit together. It does not assume one denomination has already settled every question. Where a conclusion depends on a tradition, literary theory, or historical reconstruction, that dependence is named openly.
The KJV text is presented first. Interpretive conclusions are labeled, and differences are introduced only when they help a reader understand why serious communities do not always reach the same answer.
Comparative interpretive notes for this chapter are in preparation. Until reviewed notes are ready, this page separates the KJV text from summary and application without claiming that serious readers agree on every question.
