Jueces: Capítulo 19 | Guías para Maestros | Canciones Cinematográficas de la Biblia

El panorama

Jueces 19 abre con “And it came to pass in those days, when there was no king in Israel, that there was a…”, cambia cerca del versículo 15 con “And they turned aside thither, to go in and to lodge in Gibeah: and when he went in, he…” y termina con “And it was so, that all that saw it said, There was no such deed done nor seen from the…”. Estos puntos trazan el movimiento propio del capítulo desde su inicio hasta su conclusión.

Las Escrituras junto al resumen

Jueces · Versión King James · 30

Jueces 19:1-8

Versículos 1–8: It came to pass in those days, when there was no king in Israel, that…

Jueces 19:1–8 abre con “And it came to pass in those days, when there was no king in Israel, that there was a certain…” y llega a “And he arose early in the morning on the fifth day to depart: and the damsel’s father said…” en su último versículo. Ese recorrido desarrolla Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Estudio profundo

Jueces 19:1–8 forma una unidad literaria. Abre con “And it came to pass in those days, when there was no king in Israel, that there was a…”, gira cerca del versículo 4 con “And his father in law, the damsel’s father, retained him; and he abode with him three days…” y llega a “And he arose early in the morning on the fifth day to depart: and the damsel’s father said…”. El narrador crea significado mediante quien inicia cada acción, quien responde, lo que cambia y las consecuencias que permanecen. Una acción narrada no es automáticamente una acción aprobada. Como control textual, el pasaje fuente KJV contiene 3 marcadores de discurso, 0 preguntas, 0 contrastes y 0 versículos que nombran al LORD o a Dios. Esos rasgos también pueden compararse con una traducción bíblica fiable en español.

Cada observación se relaciona con el enfoque de la lección, Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias. Algunas afirmaciones son directas, otras reúnen varios versículos y otras deben permanecer identificadas como interpretación.

Los nombres o términos que sostienen la escena son Beth, Comfort, Ephraim, Israel, Levite. El lenguaje numérico incluye four, three. El giro más cercano al centro aparece en el versículo 5: “And it came to pass on the fourth day, when they arose early in the morning, that he rose up to depart: and the damsel’s father…” Ese detalle ayuda a distinguir el punto de partida de lo que ocurre después.

Recorrido versículo por versículo

Judges 19:1
“And it came to pass in those days, when there was no king in Israel, that there was a certain Levite sojourning on the…” Esta señal narrativa conocida hace avanzar el tiempo. Lo que sigue es una nueva escena, consecuencia o respuesta a una tensión anterior.
Judges 19:2
“And his concubine played the whore against him, and went away from him unto her father’s house to Beth-lehem-judah…” El número four hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.
Judges 19:3
“And her husband arose, and went after her, to speak friendly unto her, and to bring her again, having his servant with…” Los términos propios de esta línea incluyen arose, asses, couple. Su relación con los versículos 2 y 4 permite comprobar su función dentro del pasaje.
Judges 19:4
“And his father in law, the damsel’s father, retained him; and he abode with him three days: so they did eat and drink…” El número three hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.
Judges 19:5
“And it came to pass on the fourth day, when they arose early in the morning, that he rose up to depart: and the…” Esta señal narrativa conocida hace avanzar el tiempo. Lo que sigue es una nueva escena, consecuencia o respuesta a una tensión anterior.
Judges 19:6
“And they sat down, and did eat and drink both of them together: for the damsel’s father had said unto the man, Be…” Los términos propios de esta línea incluyen both, content, damsel’s. Su relación con los versículos 5 y 7 permite comprobar su función dentro del pasaje.
Judges 19:7
“And when the man rose up to depart, his father in law urged him: therefore he lodged there again.” Los términos propios de esta línea incluyen depart, father, lodged. Su relación con los versículos 6 y 8 permite comprobar su función dentro del pasaje.
Judges 19:8
“And he arose early in the morning on the fifth day to depart: and the damsel’s father said, Comfort thine heart, I…” Nombrar a Comfort mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

Jueces 19:1-8

Versión King James

1And it came to pass in those days, when there was no king in Israel, that there was a certain Levite sojourning on the side of mount Ephraim, who took to him a concubine out of Beth-lehem-judah.

2And his concubine played the whore against him, and went away from him unto her father’s house to Beth-lehem-judah, and was there four whole months.

3And her husband arose, and went after her, to speak friendly unto her, and to bring her again, having his servant with him, and a couple of asses: and she brought him into her father’s house: and when the father of the damsel saw him, he rejoiced to meet him.

4And his father in law, the damsel’s father, retained him; and he abode with him three days: so they did eat and drink, and lodged there.

5And it came to pass on the fourth day, when they arose early in the morning, that he rose up to depart: and the damsel’s father said unto his son in law, Comfort thine heart with a morsel of bread, and afterward go your way.

6And they sat down, and did eat and drink both of them together: for the damsel’s father had said unto the man, Be content, I pray thee, and tarry all night, and let thine heart be merry.

7And when the man rose up to depart, his father in law urged him: therefore he lodged there again.

8And he arose early in the morning on the fifth day to depart: and the damsel’s father said, Comfort thine heart, I pray thee. And they tarried until afternoon, and they did eat both of them.

Jueces 19:9-16

Versículos 9–16: When the man rose up to depart, he, and his concubine, and his servant…

Jueces 19:9–16 abre con “And when the man rose up to depart, he, and his concubine, and his servant, his father in law…” y llega a “And, behold, there came an old man from his work out of the field at even, which was also of…” en su último versículo. Ese recorrido desarrolla Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Estudio profundo

Jueces 19:9–16 forma una unidad literaria. Abre con “And when the man rose up to depart, he, and his concubine, and his servant, his father in…”, gira cerca del versículo 12 con “And his master said unto him, We will not turn aside hither into the city of a stranger…” y llega a “And, behold, there came an old man from his work out of the field at even, which was also of…”. El narrador crea significado mediante quien inicia cada acción, quien responde, lo que cambia y las consecuencias que permanecen. Una acción narrada no es automáticamente una acción aprobada. Como control textual, el pasaje fuente KJV contiene 4 marcadores de discurso, 0 preguntas, 2 contrastes y 0 versículos que nombran al LORD o a Dios. Esos rasgos también pueden compararse con una traducción bíblica fiable en español.

Los nombres o términos que sostienen la escena son Gibeah, Come, Jebus, Benjamin, Benjamites, Ephraim. El lenguaje numérico incluye two, one. El giro más cercano al centro aparece en el versículo 10: “But the man would not tarry that night, but he rose up and departed, and came over against Jebus, which is Jerusalem; and there…” Ese detalle ayuda a distinguir el punto de partida de lo que ocurre después.

Recorrido versículo por versículo

Judges 19:9
“And when the man rose up to depart, he, and his concubine, and his servant, his father in law, the damsel’s father…” Los términos propios de esta línea incluyen father, concubine, damsel’s. Su relación con los versículos 10 permite comprobar su función dentro del pasaje.
Judges 19:10
“But the man would not tarry that night, but he rose up and departed, and came over against Jebus, which is Jerusalem…” El número two hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.
Judges 19:11
“And when they were by Jebus, the day was far spent; and the servant said unto his master, Come, I pray thee, and let…” El mandato no se entiende solo por el verbo. El destinatario, el propósito y su lugar dentro del pacto o argumento definen la responsabilidad.
Judges 19:12
“And his master said unto him, We will not turn aside hither into the city of a stranger, that is not of the children…” Nombrar a Gibeah y Israel mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:13
“And he said unto his servant, Come, and let us draw near to one of these places to lodge all night, in Gibeah, or in…” El mandato no se entiende solo por el verbo. El destinatario, el propósito y su lugar dentro del pacto o argumento definen la responsabilidad.
Judges 19:14
“And they passed on and went their way; and the sun went down upon them when they were by Gibeah, which belongeth to…” Nombrar a Benjamin y Gibeah mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:15
“And they turned aside thither, to go in and to lodge in Gibeah: and when he went in, he sat him down in a street of…” Nombrar a Gibeah mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:16
“And, behold, there came an old man from his work out of the field at even, which was also of mount Ephraim; and he…” Nombrar a Benjamites y Ephraim mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

Jueces 19:9-16

Versión King James

9And when the man rose up to depart, he, and his concubine, and his servant, his father in law, the damsel’s father, said unto him, Behold, now the day draweth toward evening, I pray you tarry all night: behold, the day groweth to an end, lodge here, that thine heart may be merry; and to morrow get you early on your way, that thou mayest go home.

10But the man would not tarry that night, but he rose up and departed, and came over against Jebus, which is Jerusalem; and there were with him two asses saddled, his concubine also was with him.

11And when they were by Jebus, the day was far spent; and the servant said unto his master, Come, I pray thee, and let us turn in into this city of the Jebusites, and lodge in it.

12And his master said unto him, We will not turn aside hither into the city of a stranger, that is not of the children of Israel; we will pass over to Gibeah.

13And he said unto his servant, Come, and let us draw near to one of these places to lodge all night, in Gibeah, or in Ramah.

14And they passed on and went their way; and the sun went down upon them when they were by Gibeah, which belongeth to Benjamin.

15And they turned aside thither, to go in and to lodge in Gibeah: and when he went in, he sat him down in a street of the city: for there was no man that took them into his house to lodging.

16And, behold, there came an old man from his work out of the field at even, which was also of mount Ephraim; and he sojourned in Gibeah: but the men of the place were Benjamites.

Jueces 19:17-24

Versículos 17–24: When he had lifted up his eyes, he saw a wayfaring man in the street of…

Jueces 19:17–24 abre con “And when he had lifted up his eyes, he saw a wayfaring man in the street of the city: and the…” y llega a “Behold, here is my daughter a maiden, and his concubine; them I will bring out now, and humble…” en su último versículo. Ese recorrido desarrolla Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Estudio profundo

Jueces 19:17–24 forma una unidad literaria. Abre con “And when he had lifted up his eyes, he saw a wayfaring man in the street of the city: and…”, gira cerca del versículo 20 con “And the old man said, Peace be with thee; howsoever let all thy wants lie upon me; only…” y llega a “Behold, here is my daughter a maiden, and his concubine; them I will bring out now, and…”. El narrador crea significado mediante quien inicia cada acción, quien responde, lo que cambia y las consecuencias que permanecen. Una acción narrada no es automáticamente una acción aprobada. Como control textual, el pasaje fuente KJV contiene 5 marcadores de discurso, 1 preguntas, 3 contrastes y 1 versículos que nombran al LORD o a Dios. Esos rasgos también pueden compararse con una traducción bíblica fiable en español.

Los nombres o términos que sostienen la escena son Beth, Belial, Bring, Ephraim, Nay, Peace. El giro más cercano al centro aparece en el versículo 22: “Now as they were making their hearts merry, behold, the men of the city, certain sons of Belial, beset the house round about, and…” Ese detalle ayuda a distinguir el punto de partida de lo que ocurre después.

Recorrido versículo por versículo

Judges 19:17
“And when he had lifted up his eyes, he saw a wayfaring man in the street of the city: and the old man said, Whither…” La pregunta hace que el pasaje avance con más calma. Observa quién debe responder, qué presupone y si las líneas siguientes ofrecen una respuesta.
Judges 19:18
“And he said unto him, We are passing from Beth-lehem-judah toward the side of mount Ephraim; from thence am I: and I…” Nombrar a Beth y Ephraim mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:19
“Yet there is both straw and provender for our asses; and there is bread and wine also for me, and for thy handmaid…” Nombrar a Yet mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:20
“And the old man said, Peace be with thee; howsoever let all thy wants lie upon me; only lodge not in the street.” Nombrar a Peace mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:21
“So he brought him into his house, and gave provender unto the asses: and they washed their feet, and did eat and…” Esta línea aporta una razón, un resultado o una conclusión. Debe permanecer unida a la afirmación o acción que le da sentido.
Judges 19:22
“Now as they were making their hearts merry, behold, the men of the city, certain sons of Belial, beset the house round…” Nombrar a Belial y Bring mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:23
“And the man, the master of the house, went out unto them, and said unto them, Nay, my brethren, nay, I pray you, do…” Nombrar a Nay mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.
Judges 19:24
“Behold, here is my daughter a maiden, and his concubine; them I will bring out now, and humble ye them, and do with…” Los términos propios de esta línea incluyen concubine, daughter, good. Su relación con los versículos 23 permite comprobar su función dentro del pasaje.

Jueces 19:17-24

Versión King James

17And when he had lifted up his eyes, he saw a wayfaring man in the street of the city: and the old man said, Whither goest thou? and whence comest thou?

18And he said unto him, We are passing from Beth-lehem-judah toward the side of mount Ephraim; from thence am I: and I went to Beth-lehem-judah, but I am now going to the house of the LORD ; and there is no man that receiveth me to house.

19Yet there is both straw and provender for our asses; and there is bread and wine also for me, and for thy handmaid, and for the young man which is with thy servants: there is no want of any thing.

20And the old man said, Peace be with thee; howsoever let all thy wants lie upon me; only lodge not in the street.

21So he brought him into his house, and gave provender unto the asses: and they washed their feet, and did eat and drink.

22Now as they were making their hearts merry, behold, the men of the city, certain sons of Belial, beset the house round about, and beat at the door, and spake to the master of the house, the old man, saying, Bring forth the man that came into thine house, that we may know him.

23And the man, the master of the house, went out unto them, and said unto them, Nay, my brethren, nay, I pray you, do not so wickedly; seeing that this man is come into mine house, do not this folly.

24Behold, here is my daughter a maiden, and his concubine; them I will bring out now, and humble ye them, and do with them what seemeth good unto you: but unto this man do not so vile a thing.

Jueces 19:25-30

Versículos 25–30: The men would not hearken to him: so the man took his concubine, and…

Jueces 19:25–30 abre con “But the men would not hearken to him: so the man took his concubine, and brought her forth unto…” y llega a “And it was so, that all that saw it said, There was no such deed done nor seen from the day that…” en su último versículo. Ese recorrido desarrolla Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.

Estudio profundo

Jueces 19:25–30 forma una unidad literaria. Abre con “But the men would not hearken to him: so the man took his concubine, and brought her forth…”, gira cerca del versículo 27 con “And her lord rose up in the morning, and opened the doors of the house, and went out to go…” y llega a “And it was so, that all that saw it said, There was no such deed done nor seen from the day…”. El narrador crea significado mediante quien inicia cada acción, quien responde, lo que cambia y las consecuencias que permanecen. Una acción narrada no es automáticamente una acción aprobada. Como control textual, el pasaje fuente KJV contiene 2 marcadores de discurso, 0 preguntas, 2 contrastes y 0 versículos que nombran al LORD o a Dios. Esos rasgos también pueden compararse con una traducción bíblica fiable en español.

Los nombres o términos que sostienen la escena son Israel, Egypt. El lenguaje numérico incluye twelve. El giro más cercano al centro aparece en el versículo 26: “Then came the woman in the dawning of the day, and fell down at the door of the man’s house where her lord was, till it was light.” Ese detalle ayuda a distinguir el punto de partida de lo que ocurre después.

Recorrido versículo por versículo

Judges 19:25
“But the men would not hearken to him: so the man took his concubine, and brought her forth unto them; and they knew…” Los términos propios de esta línea incluyen abused, began, concubine. Su relación con los versículos 26 permite comprobar su función dentro del pasaje.
Judges 19:26
“Then came the woman in the dawning of the day, and fell down at the door of the man’s house where her lord was, till…” Los términos propios de esta línea incluyen dawning, door, fell. Su relación con los versículos 25 y 27 permite comprobar su función dentro del pasaje.
Judges 19:27
“And her lord rose up in the morning, and opened the doors of the house, and went out to go his way: and, behold, the…” Los términos propios de esta línea incluyen house, concubine, door. Su relación con los versículos 26 y 28 permite comprobar su función dentro del pasaje.
Judges 19:28
“And he said unto her, Up, and let us be going. But none answered. Then the man took her up upon an ass, and the man…” El mandato no se entiende solo por el verbo. El destinatario, el propósito y su lugar dentro del pacto o argumento definen la responsabilidad.
Judges 19:29
“And when he was come into his house, he took a knife, and laid hold on his concubine, and divided her, together with…” El número twelve hace concreto el relato. Antes de decidir su peso, observa si mide tiempo, personas, distancia, repetición o totalidad.
Judges 19:30
“And it was so, that all that saw it said, There was no such deed done nor seen from the day that the children of…” Nombrar a Egypt y Israel mantiene el relato unido a personas o lugares concretos. Sigue dónde reaparece el nombre y qué cambia a su alrededor.

Jueces 19:25-30

Versión King James

25But the men would not hearken to him: so the man took his concubine, and brought her forth unto them; and they knew her, and abused her all the night until the morning: and when the day began to spring, they let her go.

26Then came the woman in the dawning of the day, and fell down at the door of the man’s house where her lord was, till it was light.

27And her lord rose up in the morning, and opened the doors of the house, and went out to go his way: and, behold, the woman his concubine was fallen down at the door of the house, and her hands were upon the threshold.

28And he said unto her, Up, and let us be going. But none answered. Then the man took her up upon an ass, and the man rose up, and gat him unto his place.

29And when he was come into his house, he took a knife, and laid hold on his concubine, and divided her, together with her bones, into twelve pieces, and sent her into all the coasts of Israel.

30And it was so, that all that saw it said, There was no such deed done nor seen from the day that the children of Israel came up out of the land of Egypt unto this day: consider of it, take advice, and speak your minds.

Recursos reunidos para este capítulo

El mapa narrativo y la reflexión profunda están disponibles como recursos distintos junto a este plan docente. Cada uno abre en su propia página.

Recurso narrativo del Nivel 1Creado para adolescentes curiosos y lectores nuevos. El movimiento de la historia, las imágenes, las palabras difíciles de la KJV y los detalles sorprendentes mantienen vivo cada capítulo.Recurso profundo del Nivel 2Arraigado en el texto KJV, con profundidad filosófica y teológica que identifica perspectivas católicas, protestantes, ortodoxas orientales, judías y judías mesiánicas cuando difieren de manera importante.

Guía docente específica del capítulo

Estos puntos nacen del capítulo mismo. Ayudan a unir el mapa narrativo del Nivel 1, el análisis del Nivel 2 y el texto bíblico en una sola lección.

Comienza con la primera imagen del capítulo

Judges 19:1: “And it came to pass in those days, when there was no king in Israel, that there was a certain Levite sojourning on the side of mount Ephraim, who took to…”

Detente en el punto de cambio

Judges 19:17: “And when he had lifted up his eyes, he saw a wayfaring man in the street of the city: and the old man said, Whither goest thou? and whence comest thou?”

Mantén visible este recorrido de palabras

house, father, concubine, rose, city, damsel’s

Observación y orientación docente

Sigue quién actúa, quién habla, quién resulta afectado y qué cambia.
Observa promesas, fracasos, rescates y consecuencias repetidas.
No supongas que el narrador aprueba cada acción que relata.

Primero el texto

Donde difieren los lectores

El resumen comienza con lo que dice el pasaje y cómo se relacionan sus partes. No supone que una denominación ya haya resuelto cada pregunta. Toda dependencia de una tradición, teoría literaria o reconstrucción histórica se identifica con claridad.

El texto KJV aparece primero. Las conclusiones interpretativas se identifican, y las diferencias se presentan cuando ayudan a explicar por qué las comunidades serias no siempre llegan a la misma respuesta.

Las notas interpretativas comparativas de este capítulo están en preparación. Hasta que las notas revisadas estén listas, esta página separa el texto KJV del resumen y la aplicación sin afirmar que todos los lectores serios coinciden en cada cuestión.

Objetivos de aprendizaje

Ubicar Jueces 19 dentro de Jueces 19 y explicar su función en Jueces.
Describir con evidencia cómo el pasaje desarrolla este enfoque: Jueces 19 se desarrolla mediante sus propias voces, acciones, afirmaciones y consecuencias.
Distinguir una afirmación explícita, una conclusión apoyada por las Escrituras y una interpretación.
Explicar cómo el género narrativa orienta la lectura responsable.
Comparar una canción o un video relacionado con el pasaje y volver al texto para comprobarlo.
Formular una respuesta personal y comunitaria que no exceda la evidencia bíblica.

Preparación del docente

Lee Jueces 19 dos veces y lee también lo que ocurre inmediatamente antes y después.
Repasa el movimiento del libro: Jueces 19 (Jueces 19).
Marca hablantes, acciones, palabras repetidas, mandatos, contrastes, promesas y consecuencias.
Revisa previamente los medios relacionados y anota dónde resumen, interpretan o dramatizan el texto.
Prepara una forma de participación que permita responder sin obligar a revelar experiencias personales.

Comprobación de evidencia e interpretación

Explícito

Escribe dos afirmaciones que Jueces 19 declara directamente y cita los versículos.

Apoyado por las Escrituras

Formula una conclusión que reúna varias partes de Jueces 19. Explica cada paso.

Inferencia fuerte

Indica qué conclusión sigue de cerca el texto aunque no aparezca en una sola frase.

Lectura posible o tradicional

Si existen varias lecturas responsables, presenta la diferencia y no la conviertas en certeza.

Límite

No uses la especulación como conclusión docente.