The big picture
Psalm 147 keeps changing scale without losing its subject. Jerusalem is rebuilt, Israel's outcasts gathered, broken hearts healed, and wounds bound, then the poem looks upward to the one who counts and names the stars. Great power and infinite understanding do not make individual damage insignificant. The psalm next moves through clouds, rain, mountain grass, animals, human strength, city gates, children, borders, wheat, snow, frost, ice, thaw, wind, and flowing water. Again and again, power is described through provision and ordered change rather than admiration for strength itself. The final movement connects the word that governs weather with the word made known to Jacob and Israel, distinguishing universal creation from the particular gift of statutes and judgments while keeping both under the same divine command.
In this chapter
- No Wound Is Lost Among the Stars Psalms 147:1-6
The psalm begins with restoration that has both masonry and flesh in view.
- Rain for Grass, Food for Ravens, No Admiration Contest Psalms 147:7-11
Clouds gather, rain reaches the earth, grass grows on mountains, and animals receive food.
- Strong Gates Are for the Life Inside Them Psalms 147:12-14
Jerusalem is addressed directly, and the details make clear that a city is more than its walls.
- The Swift Word Reaches Weather and Israel Psalms 147:15-20
God's command is pictured with speed.

Scripture beside the summary
Psalms · King James Version · 20Psalms 147:1-6
No Wound Is Lost Among the Stars
The psalm begins with restoration that has both masonry and flesh in view. Jerusalem is built, Israel's outcasts are gathered, broken hearts are healed, and wounds are bound. Then Psalm 147 rises abruptly to the stars, saying that God counts them and calls them all by name. The leap in scale sharpens the earlier claim rather than distracting from it. The one whose understanding reaches what the singers cannot count is also attentive to damage that might seem small beside the heavens. Naming stars gives particularity to immensity; binding wounds gives particularity to suffering. The section closes by returning to height and ground in human terms. The meek are lifted and the wicked cast down. Great power is therefore not pictured as distant force hovering above individual lives. Its greatness includes the ability to distinguish, gather, heal, lift, and judge without losing anything in the vastness.

Deep dive
The praise begins with a city being built and people being gathered. Restoration is described as more than repaired structures: the broken in heart are healed and their wounds bound. The next line rises to the number and names of the stars. That leap of scale is the point. The one who attends to what cannot be counted by the singers is also the one who attends to their wounds.
The greatness of his understanding does not leave individual damage beneath notice. Naming the stars gives particularity to the immense, while binding wounds gives particularity to human need. The final contrast in the section returns to height and ground: the meek are lifted, the wicked brought down. The poem's large view of power is therefore not detached from distinctions within human life. Its movement through the heavens sharpens rather than dilutes the account of restoration on earth.
Words to trace: LORD, praise, bindeth, broken, build, calleth
Verse-by-verse path
- Psalms 147:1
Three grounds are packed in: it is good, it is pleasant, it is comely. “Comely” is navah, fitting or becoming, as in 33:1, “praise is comely for the upright”. The Hebrew of the middle phrase can also be read “for he is pleasant”, a reading some modern translations prefer.
- Psalms 147:2
“Gathereth together the outcasts of Israel” is lifted almost exactly from Isaiah 56:8. A Jerusalem being rebuilt and exiles coming home fit the return from Babylon, and some copies of the Greek translation head this psalm with the names of Haggai and Zechariah, prophets of that rebuilding.
- Psalms 147:3
“Bindeth up” is chavash, to wrap a bandage, the verb of Isaiah 61:1, “to bind up the brokenhearted”, and of the shepherd in Ezekiel 34:16 who binds what was broken. “Wounds” is atsvot, a word for pains and griefs as much as cuts, so the bandage is laid on sorrow.
- Psalms 147:4
Abraham was told to count the stars “if thou be able to number them” (Genesis 15:5), and could not. God counts them and names them, as Isaiah 40:26 says of the host of heaven: “he calleth them all by names”. To name is to know one by one, not as a mass.
- Psalms 147:5
A pun runs across two verses. In verse 4 God tells the mispar, the number, of the stars; here “his understanding is infinite” is literally “of his understanding there is no mispar”. He counts what is past counting and cannot himself be counted. “Lord” in lower case is Adonenu, our master.
- Psalms 147:6
“Lifteth up” is the same verb as “relieveth” in 146:9, a word for setting someone back on their feet. “The meek” are anavim, the lowly and afflicted, people with no leverage of their own. “Casteth down to the ground” is literally “brings low as far as the earth”.
Psalms 147:1-6
King James Version1Praise ye the LORD: for it is good to sing praises unto our God; for it is pleasant; and praise is comely.
2The LORD doth build up Jerusalem: he gathereth together the outcasts of Israel.
3He healeth the broken in heart, and bindeth up their wounds.
4He telleth the number of the stars; he calleth them all by their names.
5Great is our Lord, and of great power: his understanding is infinite.
6The LORD lifteth up the meek: he casteth the wicked down to the ground.
Psalms 147:7-11
Rain for Grass, Food for Ravens, No Admiration Contest
Clouds gather, rain reaches the earth, grass grows on mountains, and animals receive food. Even the young ravens enter Psalm 147 through their cry of dependence. That sequence prepares the contrast that follows. The Lord does not delight in the strength of a horse or take pleasure in a man's legs. The poem does not call strength defective. It refuses to make impressive physical capacity the basis of divine pleasure. The alternative is relational: fearing God and hoping in his mercy. The ravens have already made dependence visible before human beings are asked to recognize it. Provision and trust therefore belong in the same field. Rain fed grass and hope in mercy both describe lives that do not generate their own sufficiency. The psalm's attention moves naturally from weather and animals to the human posture that acknowledges the giver rather than turning strength into an admiration contest.
Deep dive
Clouds, rain, and mountain grass form a chain of provision before beasts and young ravens receive food. The ravens contribute a cry, not an impressive display of strength. Their place in the catalogue helps prepare the next distinction: the Lord's pleasure does not rest on the force of a horse or the legs of a man. The scene has already described giving to dependent creatures rather than rewarding a demonstration of self-sufficiency.
The alternative is expressed through fear of God and hope in his mercy. Those are relational terms, not another measure of muscular capacity. The poem does not announce that strong animals or human bodies are defects. It distinguishes their strength from what gives God pleasure in those who approach him. The shift from rain-fed grass to hope in mercy holds physical provision and dependent trust within a single account of what the giver attends to.
Words to trace: LORD, pleasure, sing, taketh, beast, clouds
Verse-by-verse path
- Psalms 147:7
“Sing” is literally “answer”, anu, a word that suits singing in response, one group to another. The harp is the kinnor, a small wooden lyre carried in the hand, the instrument David played for Saul (1 Samuel 16:23). A second round of praise begins, with new grounds.
- Psalms 147:8
The grass grows on the mountains, the steep slopes no one irrigates, where only rain can reach it. The Greek translation adds a line from Psalm 104:14, “and herb for the service of man”, but the Hebrew stops at the grass, keeping attention on ground that nobody farms.
- Psalms 147:9
Job 38:41 asks, “Who provideth for the raven his food? when his young ones cry unto God”, and the psalm answers the question. The raven was an unclean bird under Leviticus 11:15, yet it is the one named as fed. Jesus points to ravens in the same way in Luke 12:24.
- Psalms 147:10
The horse is the war horse, the chariot strength of the nations, and “legs of a man” is shoq, the leg or thigh of a runner or foot soldier. Cavalry and infantry, the two measures of an army, are both set aside, as in 33:17, “an horse is a vain thing for safety”.
- Psalms 147:11
The second half repeats Psalm 33:18 in the Hebrew almost word for word, “them that fear him … them that hope in his mercy”. “Hope” is yachal, to wait in expectation, a waiting that has not yet received what it waits for. “Mercy” is again chesed, loyal love.
Psalms 147:7-11
King James Version7Sing unto the LORD with thanksgiving; sing praise upon the harp unto our God:
8Who covereth the heaven with clouds, who prepareth rain for the earth, who maketh grass to grow upon the mountains.
9He giveth to the beast his food, and to the young ravens which cry.
10He delighteth not in the strength of the horse: he taketh not pleasure in the legs of a man.
11The LORD taketh pleasure in them that fear him, in those that hope in his mercy.
Psalms 147:12-14
Strong Gates Are for the Life Inside Them
Jerusalem is addressed directly, and the details make clear that a city is more than its walls. Strong bars secure the gates, but the very next concern is the children within. Psalm 147 gives the fortified boundary a human interior, so protection receives its meaning from the life it shelters. Peace at the borders and the finest wheat then join security to nourishment. Either one without the other would leave the picture incomplete. Gates can hold while people go hungry, and food can fill stores while a city remains exposed. The psalm names both. Its restored Jerusalem is therefore not admired as an impressive structure standing alone on the landscape. It is a place where children live, borders rest, and people eat. The concentration on gates, households, boundaries, and grain turns public strength into the conditions that allow ordinary life inside the city to continue.
Deep dive
The new address to Jerusalem brings the wide account of provision back within a named city. Strengthening the bars of its gates is immediately followed by blessing the children inside. The fortified boundary has a human interior. Its value is not described through imposing appearance alone, but through the life that can continue behind it.
Peace at the borders and the finest wheat complete that connection between protection and provision. Gates can keep danger out without filling an empty store; food can be plentiful while a city remains exposed. The psalm names both needs. Its picture of restoration therefore joins safety, continuity of life, and nourishment rather than treating any one of them as a sufficient description of well-being. The address is still to the city, but the details prevent the city from becoming merely walls on a landscape.
Words to trace: praise, bars, blessed, borders, children, filleth
Verse-by-verse path
- Psalms 147:12
At this verse the Greek and Latin Bibles begin a new psalm, which is why their numbering, out of step with the Hebrew for most of the Psalter, rejoins it at Psalm 148. The Latin opening, Lauda Jerusalem, became a vespers text set by Monteverdi. The verbs are feminine: the city is addressed as a woman.
- Psalms 147:13
Bars are the beams dropped across a city gate at night to hold it shut. Nehemiah’s record of the rebuilding repeats “the locks thereof, and the bars thereof” for gate after gate (Nehemiah 3:3, 3:6, 3:13–15), the kind of work this line gives thanks for.
- Psalms 147:14
“Maketh peace in thy borders” reads literally “sets thy border as peace”, the frontier itself turned into peace. “The finest of the wheat” is “the fat of wheat”, the phrase of Deuteronomy 32:14 and of Psalm 81:16, where God says he would have fed Israel with it, had they listened.
Psalms 147:12-14
King James Version12Praise the LORD, O Jerusalem; praise thy God, O Zion.
13For he hath strengthened the bars of thy gates; he hath blessed thy children within thee.
14He maketh peace in thy borders, and filleth thee with the finest of the wheat.
Psalms 147:15-20
The Swift Word Reaches Weather and Israel
God's command is pictured with speed. The word runs, and snow, frost, and ice appear under it in images drawn from wool, ashes, and morsels. Familiar comparisons make the weather imaginable without making its cold weak. Psalm 147 can still ask who can stand before it. Then another sending of the word melts what was frozen, wind blows, and waters flow. Effective speech governs both the arrival of severe cold and its release. The final turn keeps the language of the word but changes its object. What is sent upon the earth becomes what is shown to Jacob: statutes and judgments made known to Israel. The poem does not collapse weather and instruction into the same thing. It joins them by source while distinguishing universal creation from particular teaching. The closing praise therefore responds to disclosed knowledge as well as to restored gates, food, rain, and seasonal change.
Deep dive
The command is pictured as a swift runner, while snow, frost, and ice are described through familiar materials: wool, ashes, and morsels. The comparison brings severe weather into the range of household experience without making its force harmless. The cold can overwhelm, and the sending of the word can also melt what it has produced. Wind and flowing waters complete a sequence of change governed by effective speech.
The final turn is from the word sent into the earth to the word shown to Jacob. Statutes and judgments identify instruction, not simply another weather event. The poem connects the two through their source while retaining the distinction between universal creation and Israel's particular reception of teaching. Its claim that other nations have not known those judgments concerns that disclosed instruction. The closing praise rests on a gift of knowledge as well as on the protection and food already named.
Words to trace: word, judgments, sendeth, ashes, blow, casteth
Verse-by-verse path
- Psalms 147:15
“Runneth very swiftly” pictures the word as a royal courier. The same root names the runners of 2 Chronicles 30:6 who carried Hezekiah’s letters through the land. “Commandment” is imrah, an utterance, something spoken aloud, and the next verses show what it sets in motion.
- Psalms 147:16
Snow falls on Jerusalem in some winters, and 2 Samuel 23:20 dates a deed of Benaiah by it, “in time of snow”. Wool gives it whiteness and softness; Isaiah 1:18 sets snow and wool side by side for whiteness. Hoarfrost is scattered “like ashes”, the grey dusting a fire leaves.
- Psalms 147:17
“Morsels” are pittim, crumbs or broken bits of bread, so the ice is hail flung down in pieces. “Who can stand before his cold?” is the only question in the psalm, and it gets no answer; the next verse simply ends the cold.
- Psalms 147:18
Job 37:10 says frost is given “by the breath of God”; here his wind does the opposite and brings the thaw. Ruach means wind and breath alike. “Flow” is nazal, to stream or trickle, the word behind the “streams” brought out of the rock in 78:16.
- Psalms 147:19
“Statutes” are chuqqim, from a root meaning to engrave, decrees fixed in place; “judgments” are mishpatim, rulings for particular cases. Jacob and Israel name the same man twice, the second time by the name God gave him at the Jabbok (Genesis 32:28).
- Psalms 147:20
The claim echoes Moses in Deuteronomy 4:8: “what nation is there so great, that hath statutes and judgments so righteous as all this law”. The Greek translation reads the second half differently, “he has not made his judgments known to them”, putting the silence on God’s side rather than theirs.
Psalms 147:15-20
King James Version15He sendeth forth his commandment upon earth: his word runneth very swiftly.
16He giveth snow like wool: he scattereth the hoarfrost like ashes.
17He casteth forth his ice like morsels: who can stand before his cold?
18He sendeth out his word, and melteth them: he causeth his wind to blow, and the waters flow.
19He sheweth his word unto Jacob, his statutes and his judgments unto Israel.
20He hath not dealt so with any nation: and as for his judgments, they have not known them. Praise ye the LORD.
Questions to keep in mind while reading
- Follow the speaker, images, parallel lines, questions, and emotional movement.
- Notice where tension or suffering resists an easy answer.
- Read a saying as wisdom for faithful discernment, not as a mechanical promise detached from context.
Text first
Where readers differ
The chapter summary begins with what the passage says and how its parts fit together. It does not assume one denomination has already settled every question. Where a conclusion depends on a tradition, literary theory, or historical reconstruction, that dependence is named openly.
The KJV text is presented first. Interpretive conclusions are labeled, and differences are introduced only when they help a reader understand why serious communities do not always reach the same answer.
Comparative interpretive notes for this chapter are in preparation. Until reviewed notes are ready, this page separates the KJV text from summary and application without claiming that serious readers agree on every question.
Questions beneath the surface
- What account of God, human freedom, responsibility, and the good life emerges from Psalms 147?
- Which tension does the chapter refuse to resolve quickly?
- What changes when the chapter is read as part of the whole canon rather than as an isolated moral lesson?
- Where might a sincere reader confuse a familiar tradition with something the text states directly?
Questions for serious personal contemplation
These open-ended questions make room for tension, honest response, prayer, and conclusions that remain accountable to the chapter.
Observe without rushing
What part of Psalms 147 makes you stop, feel unsettled, or feel surprised, and why?
Which detail in the passage would be easiest to overlook? How does that detail change your understanding?
Where do you see tension between what happens and this focus: Psalms 147 develops its own movement around LORD, praise, sing, word, casteth?
What important question does the passage leave open instead of resolving quickly?
Examine your inner life honestly
Which person, response, fear, or desire in the passage feels most like your own life right now?
What assumption about God, other people, or yourself does this text challenge?
Which part would you rather soften, avoid, or explain away too quickly? What might that reaction reveal?
If this Scripture could ask you one direct question, what do you think it would ask?
Respond with wisdom and courage
What do you need to remember, confess, grieve, thank God for, or trust after reading this passage?
How might another faithful person read this situation differently without ignoring the text?
What obedient response would be costly, uncomfortable, or slow, yet still faithful to Scripture?
What question will you carry into prayer this week, and which verses will you keep in front of you?
Music and video connected to the passage
Related media appears when its Scripture reference overlaps this study. Music and video can illuminate a theme while the biblical text remains the foundation.



