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A World Full of Creatures Waits for an Open Hand

Psalms 104

The big picture

Psalm 104 looks at creation long enough for it to become crowded. Water is bounded, then released through valleys. Birds sing, goats find hills, people work, lions hunt, ships cross the sea, and Leviathan plays in it. The Book of Psalms does not make humanity the only creature worth watching. Different lives receive different spaces and hours, while all of them finally gather under one open hand. Food, breath, death, and renewal reveal creation as dependent without making it passive. The poem can admire order without turning the world into a machine. Night has inhabitants, rocks have refugees, and even the sea is full. The singer’s answer is lifelong praise to a Maker who not only sustains his works but is asked to rejoice in them.

In this chapter

Psalms 104: A World Full of Creatures Waits for an Open Hand
Chapter scenePsalms 104

Scripture beside the summary

Psalms · King James Version · 35

Psalms 104:1-9

The Waters Receive a Boundary

Psalm 104 begins by dressing God in light, stretching heaven like fabric, and placing beams, clouds, wind, and fire inside a scene of effortless majesty. Then the poem turns to the deep. The Book of Psalms remembers water not only as refreshment but as something that must receive a boundary before a habitable world can emerge. The waters flee at divine rebuke and settle into the place appointed for them. They are not annihilated. They are ordered. That difference prepares the chapter’s next movement, because the same element that once covered mountains will soon run between hills and satisfy animals. Creation here is not a victory over matter as though the material world were the enemy. It is the assignment of place and limit, a world made livable because even the deep does not get to decide for itself where it will stop.

Psalms 104:1-9: The Waters Receive a Boundary
Chapter scenePsalms 104

Deep dive

The poem clothes God in light and stretches the heavens like a curtain. Architecture and royal movement combine in chambers, beams, and a cloud chariot. These images make creation the sphere of divine majesty without presenting God as one more object contained inside it. Hebrews 1:7 later quotes verse 4’s language about angels and ministers within its contrast between the Son and the angelic servants.

The deep covers the earth like a garment until God’s rebuke sends the waters to their appointed place. The imagery recalls the ordering of waters in Genesis and also resonates with the boundary language associated with the flood. Psalm 104 does not pause to map every line onto a single episode. Its immediate emphasis is the establishment of limits that make habitation possible. The waters are not destroyed. They are assigned a place, preparing the next section’s account of water becoming a gift to living creatures.

Words to trace: earth, garment, LORD, maketh, mountains, waters

Verse-by-verse path

  1. Psalms 104:1

    The psalm opens with the words that closed Psalm 103, and closes with them again, so the two stand as a pair: the first about God’s mercy, the second about his world. The rest of the verse dresses him like a king, as Psalm 93:1 did. The poem that follows moves broadly in the order of the days of Genesis 1.

  2. Psalms 104:2

    Light comes first, as on the first day of Genesis 1, but here it is God’s clothing rather than a thing made. “Curtain” is yeri’ah, the word for the woven tent-cloths of the tabernacle (Exodus 26:1). Isaiah 40:22 has God spread the heavens “as a tent to dwell in”.

  3. Psalms 104:3

    “Chambers” is aliyyot, upper rooms, the rooftop rooms of a house, here built with their beams set in the waters above the sky (Genesis 1:7). The Ugaritic texts gave Baal the title “rider of the clouds”; Psalm 68:4 and this verse give that chariot to the LORD.

  4. Psalms 104:4

    Hebrews 1:7 quotes this line from the Greek: “Who maketh his angels spirits.” The Hebrew words can also be read the other way round, “who maketh the winds his messengers, flames of fire his ministers”, since malakh means messenger and ruach means wind as well as spirit. The context of wind and cloud favours the second.

  5. Psalms 104:5

    “Foundations” is mekhonot, bases or footings. “Not be removed” uses mot, to totter, the verb for a slipping foot. God’s question to Job begins at this point: “Where wast thou when I laid the foundations of the earth?” (Job 38:4).

  6. Psalms 104:6

    “The deep” is tehom, the word of Genesis 1:2, “darkness was upon the face of the deep”. God wears light as a garment in verse 2; the earth once wore the deep as a garment here, water standing over the mountain tops.

  7. Psalms 104:7

    “Rebuke” is ge’arah, a war shout that scatters an enemy, and “thunder” is literally “voice”. The waters are not gathered politely, as in Genesis 1:9, but routed like an army in flight. Psalm 106:9 uses the same verb when God “rebuked the Red sea also, and it was dried up”.

  8. Psalms 104:8

    The Hebrew can also be read with the land as subject: “the mountains rose, the valleys sank down to the place thou didst appoint”, as many modern versions have it. Either way the landscape takes its shape as the water goes to where it was assigned.

  9. Psalms 104:9

    Jeremiah 5:22 speaks of the sand “placed... for the bound of the sea by a perpetual decree”, and God tells the sea in Job 38:11, “Hitherto shalt thou come, but no further.” “That they turn not again to cover the earth” sounds the promise after the flood (Genesis 9:11).

Psalms 104:1-9

King James Version

1Bless the LORD, O my soul. O LORD my God, thou art very great; thou art clothed with honour and majesty.

2Who coverest thyself with light as with a garment: who stretchest out the heavens like a curtain:

3Who layeth the beams of his chambers in the waters: who maketh the clouds his chariot: who walketh upon the wings of the wind:

4Who maketh his angels spirits; his ministers a flaming fire:

5Who laid the foundations of the earth, that it should not be removed for ever.

6Thou coveredst it with the deep as with a garment: the waters stood above the mountains.

7At thy rebuke they fled; at the voice of thy thunder they hasted away.

8They go up by the mountains; they go down by the valleys unto the place which thou hast founded for them.

9Thou hast set a bound that they may not pass over; that they turn not again to cover the earth.

Psalms 104:10-18

Provision Includes Nests, Rocks, and the Animals Between

Once the waters have boundaries, Psalm 104 immediately shows why boundaries matter: water can now arrive as a gift. Springs run through valleys, wild asses drink, birds settle in branches, and hills are watered from above. The Book of Psalms lets provision branch into a whole ecology. Human beings receive grass, crops, wine, oil, and bread, but they are not the only beneficiaries. Cedars become houses for birds, high hills become refuge for goats, and rocks shelter small creatures. The poem’s attention is wonderfully specific. It does not praise “nature” in the abstract and move on. It notices where different lives actually fit. Human cultivation belongs within the picture, yet creation is never reduced to a warehouse for human use. The world is full of creatures with needs, habits, homes, and places prepared for them.

Psalms 104:10-18: Provision Includes Nests, Rocks, and the Animals Between
Chapter scenePsalms 104

Deep dive

The same water that needed a boundary now runs through valleys and gives drink to wild animals. Birds live beside it and sing among branches. The poem’s movement from restraint to distribution is important: order does not mean a dry, motionless world. It means water arriving where life can receive it.

Human food is included, but the list does not stop with human usefulness. Grass feeds cattle; wine, oil, and bread serve human gladness and strength; cedars shelter birds; high hills and rocks provide refuge for wild creatures. The stork has a house, and the goats have terrain suited to them. The Creator’s care is shown through particular habitats rather than through a vague claim that nature is pleasant. Psalm 104 takes time over lives that would be peripheral in an account centered only on human production.

Words to trace: hills, earth, heart, trees, wild, asses

Verse-by-verse path

  1. Psalms 104:10

    “Sendeth” is shalach, the verb for dispatching a messenger. The same water that covered the mountains in verse 6 now runs between the hills in channels. What had to be driven off comes back tamed, as springs.

  2. Psalms 104:11

    The wild ass, pere, is the onager, the one animal the Old Testament holds up as untameable; Job 39:5–8 says it “scorneth the multitude of the city”. Genesis 16:12 calls Ishmael “a wild man”, literally a wild ass of a man. Even the creature no one can manage drinks from God’s springs.

  3. Psalms 104:12

    The springs run along wadis lined with trees, and so the birds settle where the water is. “Branches” is ophayim, leafage, a word found only here. The birds “give voice” from inside the foliage, heard more than seen.

  4. Psalms 104:13

    “Chambers” repeats the upper rooms of verse 3: rain comes down from God’s rooftop storeys. “Satisfied” is sava, to be filled full, the verb of Psalm 90:14. The fruit of God’s works is the rain itself, which the land drinks until it has had enough.

  5. Psalms 104:14

    “Service” is avodah, the labour of tilling, so the herb is the crop that man works to raise. The phrase “to bring forth food out of the earth” became the Jewish blessing over bread, “who bringest forth bread from the earth”. Cattle get grass without work; humans get bread with it.

  6. Psalms 104:15

    Wine, oil and bread are the land’s three staples, “thy corn, and thy wine, and thine oil” of Deuteronomy 7:13. Jotham’s parable has the vine speak of “my wine, which cheereth God and man” (Judges 9:13). Oil rubbed into the skin in a dry climate made the face glow.

  7. Psalms 104:16

    “Full of sap” is again sava, satisfied. These are “trees of the LORD” because no one else planted them: the forests of Lebanon grow high on mountains no farmer terraced. The Hebrew phrasing stresses “which he hath planted”, as if pointing to the gardener.

  8. Psalms 104:17

    The stork is chasidah, from chesed, loyal love; the Talmud (Chullin 63a) says it is so called for the kindness it shows its fellows. Jeremiah 8:7 notes that “the stork in the heaven knoweth her appointed times”, the migration that passes over the land each spring and autumn. “Fir trees” are probably cypresses or junipers.

  9. Psalms 104:18

    The wild goats are ya’elim, ibex, still seen on the cliffs at En-gedi, where Saul hunted David on “the rocks of the wild goats” (1 Samuel 24:2). The coney, shafan, is the rock hyrax; Proverbs 30:26 calls conies “but a feeble folk, yet make they their houses in the rocks”.

Psalms 104:10-18

King James Version

10He sendeth the springs into the valleys, which run among the hills.

11They give drink to every beast of the field: the wild asses quench their thirst.

12By them shall the fowls of the heaven have their habitation, which sing among the branches.

13He watereth the hills from his chambers: the earth is satisfied with the fruit of thy works.

14He causeth the grass to grow for the cattle, and herb for the service of man: that he may bring forth food out of the earth;

15And wine that maketh glad the heart of man, and oil to make his face to shine, and bread which strengtheneth man’s heart.

16The trees of the LORD are full of sap; the cedars of Lebanon, which he hath planted;

17Where the birds make their nests: as for the stork, the fir trees are her house.

18The high hills are a refuge for the wild goats; and the rocks for the conies.

Psalms 104:19-23

Night Is Not Empty Time

Night is not dead time in Psalm 104. The moon marks seasons, the sun sets, darkness arrives, and a whole population begins to move. Young lions seek food while people are off the clock. When the sun rises, the animals return to their dens and human labor begins. The Book of Psalms gives the scene almost the feel of alternating shifts, but without turning creation into a mechanical schedule. The point is more generous: the world remains inhabited when human beings are asleep. Darkness, which can symbolize danger elsewhere, is here something God makes and creatures use. Human work is honored, but it is placed among other forms of creaturely life rather than at the center of every hour. The day belongs to more than one species, and the night does too. Creation keeps living on a timetable larger than human attention.

Psalms 104:19-23: Night Is Not Empty Time
Chapter scenePsalms 104

Deep dive

The moon marks seasons, and the sun knows its setting. The language presents an ordered rhythm in which different creatures occupy different hours. Darkness is not treated here simply as the symbol of evil found in some laments. God makes night, and forest animals move within it.

The young lions seek their food from God. That description places predatory animals within the poem’s account of dependence, without pretending they live by the same work as human beings. At sunrise they return to their dens, and people go out to labor until evening. The transition is almost like a change of shifts, though the text gives no mechanical account of the arrangement. Human work is one activity within a larger inhabited day. The world is neither vacant while people sleep nor created solely around their waking timetable.

Words to trace: appointed, ariseth, beasts, creep, darkness, dens

Verse-by-verse path

  1. Psalms 104:19

    The moon comes before the sun, as the Hebrew day begins at evening. “Seasons” is mo’adim, the fixed feasts, reckoned by the new moon, as Genesis 1:14 said the lights were for “signs, and for seasons”. The sun, which Egypt worshipped, simply “knoweth his going down”, like a workman who knows when to stop.

  2. Psalms 104:20

    An Egyptian hymn to the sun disk Aten, from the reign of Akhenaten, describes the same scene: when the sun sets the land lies in darkness like death, “every lion cometh forth from his den”. The psalm makes darkness God’s own work. “Creep forth” is ramas, the verb of Genesis 1 for creeping things.

  3. Psalms 104:21

    The lion’s roar is heard as a request made to God. God asks Job, “Wilt thou hunt the prey for the lion? or fill the appetite of the young lions?” (Job 38:39). “Young lions” are kefirim, lions in their prime, strong enough to hunt for themselves.

  4. Psalms 104:22

    “Dens” is me’onot, the same word as maon, the “dwelling place” of Psalm 90:1 and the “habitation” of Psalm 91:9. The lions go home at sunrise to the kind of shelter God is for his people. The day shift and the night shift pass without meeting.

  5. Psalms 104:23

    “Work” is po’al and “labour” is avodah, the labour of verse 14. Day labourers were to be paid before sunset (Deuteronomy 24:15), so “until the evening” is the working day of a hired hand. In Genesis 1 humanity comes last of all; here man takes his turn in the rota after the lions.

Psalms 104:19-23

King James Version

19He appointed the moon for seasons: the sun knoweth his going down.

20Thou makest darkness, and it is night: wherein all the beasts of the forest do creep forth.

21The young lions roar after their prey, and seek their meat from God.

22The sun ariseth, they gather themselves together, and lay them down in their dens.

23Man goeth forth unto his work and to his labour until the evening.

Psalms 104:24-26

The Sea Contains Commerce and Play

The sea in Psalm 104 is not an empty blue border around the important part of the world. It is crowded with “things creeping innumerable,” small and great creatures, ships, and Leviathan. The Book of Psalms places commerce and creaturely play in the same frame without making one cancel the other. Ships travel where Leviathan has also been given room to move. The KJV’s word “play” is especially striking because Leviathan can sound terrifying elsewhere, yet here the creature is simply something God made for the sea. No modern species label is required to make the image work. What looks vast, dangerous, and beyond human control still belongs inside the Creator’s ordered abundance. The sea is not a leftover zone where divine care thins out. Its very size becomes another setting for multiplicity, activity, and wisdom.

Psalms 104:24-26: The Sea Contains Commerce and Play
Chapter scenePsalms 104

Deep dive

The exclamation of wonder in verse 24 interrupts the catalogue because the catalogue has become too rich for bare enumeration. Multiplicity is attributed to wisdom: the many kinds of life are not treated as clutter. The earth is full of God’s possessions, and the great sea proves no less populated.

Ships and Leviathan share the same brief view. Human travel does not displace the creature’s place in the water. In the KJV, Leviathan is made to play there, an unexpectedly unthreatening use of a name that can carry terrifying associations elsewhere in Scripture. The poem does not identify a modern species, and none is needed for its point. Even this immense or formidable sea creature belongs within the Maker’s world as something made, sustained, and allowed its own activity. The sea is not a remainder beyond divine order.

Words to trace: beasts, both, creeping, earth, full, innumerable

Verse-by-verse path

  1. Psalms 104:24

    Proverbs 3:19 says, “The LORD by wisdom hath founded the earth”, and Proverbs 8:30 has Wisdom beside God “as one brought up with him” at creation. “Riches” is qinyan, possessions, from the root of the title Melchizedek gives God in Genesis 14:19, “possessor of heaven and earth”.

  2. Psalms 104:25

    “Wide” is literally “wide of hands”, the sea stretching its arms out on either side. “Things creeping” is remes, the swarming creatures of Genesis 1:21, too many to count. Small and great are listed together, the sardine and the whale in one phrase.

  3. Psalms 104:26

    Elsewhere Leviathan is a monster God must pierce (Isaiah 27:1). The Hebrew lesacheq bo can mean “to play in it”, the sea, or “to play with him”, and God asks Job, “Wilt thou play with him as with a bird?” (Job 41:5). The Talmud (Avodah Zarah 3b) imagined God spending part of each day playing with Leviathan.

Psalms 104:24-26

King James Version

24O LORD, how manifold are thy works! in wisdom hast thou made them all: the earth is full of thy riches.

25So is this great and wide sea, wherein are things creeping innumerable, both small and great beasts.

26There go the ships: there is that leviathan, whom thou hast made to play therein.

Psalms 104:27-30

Life Depends on the Hand and the Breath

After cataloguing different habitats and creatures, Psalm 104 suddenly gathers every living thing into one sentence: “These wait all upon thee.” The Book of Psalms does not erase their own activity. They gather food, hunt, work, and inhabit their places. Yet all that motion depends on an open hand. Giving fills them; a hidden face troubles them; withdrawn breath returns them to dust; renewed spirit makes life appear again. The sequence is almost unnervingly simple. Existence is not treated as a possession creatures secure once and then manage independently. It is continuously received. The connection between breath and spirit gives the lines added depth, since the Hebrew word can carry both senses. Life pulses between gift and dependence. Even the richly stocked world of the earlier verses remains mortal, and the face of the earth requires renewal beyond the strength of any creature living on it.

Psalms 104:27-30: Life Depends on the Hand and the Breath
Chapter scenePsalms 104

Deep dive

The catalogue becomes a single dependent company: "These wait all upon thee." What looked like many separate activities is gathered under one open hand. Creatures gather what is given, so their activity is real, but it does not explain the existence of the gift. The relation is neither passive immobility nor self-sufficiency.

The hidden face brings trouble, withdrawn breath brings death, and renewed divine giving brings creation and the renewal of earth’s face. The movement between "breath" and "spirit" reflects the range of the Hebrew ruach, which can name breath, wind, or spirit according to context. Here the repeated concern is life received rather than possessed independently. Dust answers the earlier abundance: even the richly provisioned creature remains mortal. The renewal of the earth is therefore a continuing divine work, not merely the distant memory of an initial act.

Words to trace: face, breath, created, dust, earth, filled

Verse-by-verse path

  1. Psalms 104:27

    Psalm 145:15 repeats the line almost exactly: “The eyes of all wait upon thee; and thou givest them their meat in due season.” “Wait” is sabar, to look expectantly, as a dog watches the hand that feeds it. “In due season” means at its proper time.

  2. Psalms 104:28

    “Gather” is laqat, to pick up, glean, the verb for gathering manna in Exodus 16:4: “gather a certain rate every day”. The creatures do the collecting; God does the giving. Psalm 145:16 takes up the open hand: “Thou openest thine hand, and satisfiest the desire of every living thing.”

  3. Psalms 104:29

    Ecclesiastes 3:19–20 says the same of humans and animals alike: “they have all one breath... all are of the dust, and all turn to dust again.” The verse moves in three quick steps, face hidden, breath taken, dust again, with no gap between them.

  4. Psalms 104:30

    “Created” is bara, God’s own verb, used of the animals of each new generation as if every birth were a fresh act of creation. The Latin of this verse, “Emitte Spiritum tuum... et renovabis faciem terrae”, became a prayer of the church at Pentecost.

Psalms 104:27-30

King James Version

27These wait all upon thee; that thou mayest give them their meat in due season.

28That thou givest them they gather: thou openest thine hand, they are filled with good.

29Thou hidest thy face, they are troubled: thou takest away their breath, they die, and return to their dust.

30Thou sendest forth thy spirit, they are created: and thou renewest the face of the earth.

Psalms 104:31-35

The Singer Wants the Maker to Rejoice in His Work

The final movement of Psalm 104 asks for something easy to miss: that the LORD rejoice in his works. The Book of Psalms has spent the chapter noticing what creation receives from God, and now it imagines the Maker taking delight in what he has made. That delight is not softness. A look makes the earth tremble, and a touch makes mountains smoke. The singer answers both majesty and generosity with a vow to sing as long as he has being, which is exactly the kind of dependent life the chapter has described. The closing petition against wickedness is abrupt, but it belongs to the desire that the ordered goodness being praised not be permanently violated. It is a prayer, not a private campaign. The psalm ends by bringing creation, moral order, divine delight, and the singer’s own limited breath into one final blessing.

Psalms 104:31-35: The Singer Wants the Maker to Rejoice in His Work
Chapter scenePsalms 104

Deep dive

The wish that the Lord rejoice in his works gives the hymn a direction beyond human enjoyment of the landscape. Creation is considered in relation to its Maker’s delight. Yet a look makes earth tremble and a touch makes hills smoke, so delight does not make the divine presence trivial or tame.

The singer’s response is bounded by the life just described as dependent: he will sing while he has being. The petition that sinners and wickedness disappear can sound abrupt after the living abundance of the poem. It expresses the desire that what opposes the order being praised no longer remain within it. The verse is a prayer, not a narrated campaign by the singer. The closing return to the soul’s blessing gathers majesty, provision, dependence, and moral order into the same praise with which the psalm began.

Words to trace: LORD, earth, praise, sing, Bless, consumed

Verse-by-verse path

  1. Psalms 104:31

    The Hebrew verbs are wishes: “May the glory of the LORD endure for ever; may the LORD rejoice in his works.” Genesis 1:31 had God see everything he made “and, behold, it was very good”. The singer prays that God will go on seeing it that way.

  2. Psalms 104:32

    At Sinai “mount Sinai was altogether on a smoke, because the LORD descended upon it in fire” (Exodus 19:18). Psalm 144:5 asks for it again: “touch the mountains, and they shall smoke.” A glance and a touch are enough; the verse never needs a blow.

  3. Psalms 104:33

    Psalm 146:2 repeats this verse almost word for word. “While I have my being” is be’odi, “while I still am”, a life measured as the continuing breath of verse 29. The singer knows his song will last exactly as long as the breath God lends him.

  4. Psalms 104:34

    “Meditation” is siach, musing or talk, the same word as the “complaint” poured out in the heading of Psalm 102. “Shall be sweet” can be read “may it be pleasing to him”: the singer hopes his thoughts will be as welcome to God as the creatures are.

  5. Psalms 104:35

    This is the first “Praise ye the LORD”, hallelujah, in the Psalter. The Talmud (Berakhot 10a) tells how Beruriah, wife of Rabbi Meir, read the first line as “let sins be consumed” rather than sinners, and urged her husband to pray for the wicked to repent. The psalm closes on its opening words.

Psalms 104:31-35

King James Version

31The glory of the LORD shall endure for ever: the LORD shall rejoice in his works.

32He looketh on the earth, and it trembleth: he toucheth the hills, and they smoke.

33I will sing unto the LORD as long as I live: I will sing praise to my God while I have my being.

34My meditation of him shall be sweet: I will be glad in the LORD.

35Let the sinners be consumed out of the earth, and let the wicked be no more. Bless thou the LORD, O my soul. Praise ye the LORD.

Questions to keep in mind while reading

  1. Follow the speaker, images, parallel lines, questions, and emotional movement.
  2. Notice where tension or suffering resists an easy answer.
  3. Read a saying as wisdom for faithful discernment, not as a mechanical promise detached from context.

Text first

Where readers differ

The chapter summary begins with what the passage says and how its parts fit together. It does not assume one denomination has already settled every question. Where a conclusion depends on a tradition, literary theory, or historical reconstruction, that dependence is named openly.

The KJV text is presented first. Interpretive conclusions are labeled, and differences are introduced only when they help a reader understand why serious communities do not always reach the same answer.

Comparative interpretive notes for this chapter are in preparation. Until reviewed notes are ready, this page separates the KJV text from summary and application without claiming that serious readers agree on every question.

Questions beneath the surface

  1. What account of God, human freedom, responsibility, and the good life emerges from Psalms 104?
  2. Which tension does the chapter refuse to resolve quickly?
  3. What changes when the chapter is read as part of the whole canon rather than as an isolated moral lesson?
  4. Where might a sincere reader confuse a familiar tradition with something the text states directly?

Questions for serious personal contemplation

These open-ended questions make room for tension, honest response, prayer, and conclusions that remain accountable to the chapter.

Observe without rushing

  1. What part of Psalms 104 makes you stop, feel unsettled, or feel surprised, and why?

  2. Which detail in the passage would be easiest to overlook? How does that detail change your understanding?

  3. Where do you see tension between what happens and this focus: Psalms 104 develops its own movement around LORD, earth, hills, face, maketh?

  4. What important question does the passage leave open instead of resolving quickly?

Examine your inner life honestly

  1. Which person, response, fear, or desire in the passage feels most like your own life right now?

  2. What assumption about God, other people, or yourself does this text challenge?

  3. Which part would you rather soften, avoid, or explain away too quickly? What might that reaction reveal?

  4. If this Scripture could ask you one direct question, what do you think it would ask?

Respond with wisdom and courage

  1. What do you need to remember, confess, grieve, thank God for, or trust after reading this passage?

  2. How might another faithful person read this situation differently without ignoring the text?

  3. What obedient response would be costly, uncomfortable, or slow, yet still faithful to Scripture?

  4. What question will you carry into prayer this week, and which verses will you keep in front of you?

Music and video connected to the passage

Related media appears when its Scripture reference overlaps this study. Music and video can illuminate a theme while the biblical text remains the foundation.

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Source: eBible.org · eng-kjv2006